The Fight: A Legendary LIFE Photographer Battles Parkinson’s, 1959

The great LIFE photographer Margaret Bourke-White was in Tokyo in 1952 when she first discovered that, in the middle of a physically demanding photojournalistic career, the dull pain in her left leg was becoming something more. Rising from a meal, she found herself, for a few steps at least, unable to walk.

As she would recount in an extraordinary LIFE story seven years later, it turned out after years of misdiagnosis and confusion that her brief stumble was a symptom of the onset of Parkinson’s disease, against which she would fight with everything she had for nearly two decades until her death at 67. It was, as the introduction to that 1959 article noted, the toughest battle ever faced by a woman who had seen many including literal battles in World War II, during which she served as the first woman accredited to cover the combat zones as a photojournalist.

With photographs by her fellow LIFE photographer Alfred Eisenstaedt, some of which are seen here, the story offered up the personal reflections of the woman who had taken the image that appeared on the first-ever issue of the magazine.

“When I opened some medical insurance papers one day and learned I had Parkinson’s disease, the name did not frighten me because I did not know what in the world it was,” she wrote, describing how she learned the name that her doctors had kept from her as they prescribed physical therapy for her unlabeled symptoms. “Then slowly a memory came back, of a description Edward Steichen once gave at a photographers’ meeting of the illness of Edward Weston, ‘dean of photographers,’ who was a Parkinsonian. I remembered the break in Steichen’s voice: ‘A terrible disease… you can’t work because you can’t hold things… you grow stiffer each year until you are a walking prison… there is no known cure…'”

The knowledge was, unsurprisingly, devastating to Bourke-White.

But she set her mind to learn what she could, to look for anything she could do for relief. She learned, she wrote, that she was just one of three quarters of a million Americans with the disease “often they appear to be struck down at their peak,” she wrote and that, despite this number and the fact that the symptoms had been observed for thousands of years, nobody knew what caused it or how to stop it. Though Bourke-White was an extreme devotee of her exercise routine and even underwent a then-cutting-edge brain surgery to “deaden permanently” part of her brain, she knew that the operation she’d received had only treated some of her disease and that there was no way to know how the symptoms would progress from there.

Today, more than half a century later, many of the questions that confronted Bourke-White remain frustratingly unresolved for those who receive the same diagnosis she did. Treatment options, however, have advanced significantly since Bourke-White’s time and new advances are offering the hope for something even better.

For one thing, says Dr. Rachel Dolhun, vice president of medical communications at the Michael J. Fox Foundation for Parkinson’s Research, a person with Parkinson’s disease in the 1950s had no effective options for medication. The most widely prescribed therapy used today—levodopa, which temporarily addresses some Parkinson’s-related loss of dopamine, a movement-regulating brain chemical—wasn’t discovered until the late 1960s. It is now also understood in a way that it was not a few decades ago that many different brain chemicals and parts of the body are involved in symptoms linked to Parkinson’s, not just dopamine and the brain. In addition, the operation that Bourke-White received to basically destroy part of her brain is largely obsolete today, and a patient who was a candidate for brain surgery now would likely instead receive deep brain stimulation, which uses wires or electrodes to stimulate parts of the brain. (The physical therapy that was prescribed for Bourke-White, however, is one thing that hasn’t changed: exercise remains a key way to address symptoms.)

And Dolhun said that advances in genetic science in the last 20 years or so, by offering new insights into how the disease works, have opened up a new range of research angles and hope for a real cure, rather than just a better way to address the symptoms. For example, experts are excited by the testing of possible therapies that would target a protein called alpha-synuclein. “Right now, because of those understandings, the development pipeline is richer than it’s ever been,” she said.

Technology is also changing what’s possible for researchers and scientists. The Michael J. Fox Foundation is running an online clinical study in which patients can log on and tell researchers about what it’s like to live their experience of Parkinson’s disease, Dolhun said, and devices like wearables and smartphones are providing new ways to track and communicate about the symptoms. For example, whereas it used to be that a doctor might observe a patient’s tremor for 15 minutes at a time every couple of months, now an app or a watch can allow patients to log data that gives researchers a 24/7 look at information about those symptoms.

These new possibilities are particularly important when it comes to Parkinson’s disease, since the experience of what it’s like to live with and fight the symptoms is very individualized. “It’s a different journey for every single person who’s on it,” said Dolhun. “That’s why we need the patient experience to inform us so much, and that’s why it’s so important for patients to be involved directly in research.”

That’s also one reason why the openness of people like Margaret Bourke-White mattered in 1959 and continues to matter today. There can still be a stigma attached to telling others that you are experiencing something that might make them see you as weak or in need of assistance. But if those who have it keep their experiences to themselves, it’s harder for researchers to make progress toward a cure and harder for others with the diagnosis to feel that they’re not alone.

For Bourke-White, as she described for LIFE’s readers, her fight against Parkinson’s was, to the fullest extent possible, a reminder to keep working and enjoying what her body could do for every second possible. Nowadays, she wrote in 1959 after the surgery that helped her do that longer than would otherwise have been possible, “my fingers are more and more often loading my cameras, changing their lenses, and turning their winding buttons as I practice the simple blessed business of living and working again.”

“It’s not uncommon for people to feel shy about sharing their stories,” Dolhun said. “For [Bourke-White] to share her story so publicly I think really speaks volumes. When we see people come forward with their story, it’s not an uncommon thing for them to say, ‘I really wish I had shared it earlier.’ They feel a burden lifted.”

Margaret Bourke-White's struggle with Parkinson's disease.

Straining to relearn how to speak distinctly after disease had blurred and weakened her voice, Bourke-White, with another patient, was taught by therapists (rear) to exaggerate lip movements.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Margaret Bourke-White's struggle with Parkinson's disease.

Crumpling paper into balls, Miss Bourke-White worked to keep fingers from stiffening.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Margaret Bourke-White's struggle with Parkinson's disease.

Face intent with effort, Margaret Bourke-White exercised as part of her fight against Parkinson’s disease.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Margaret Bourke-White's struggle with Parkinson's disease.

A nurse aided photographer Margaret Bourke-White during a therapy session.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Margaret Bourke-White's struggle with Parkinson's disease.

Margaret Bourke-White did the tango during a dance class meant to improve her coordination.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Margaret Bourke-White's struggle with Parkinson's disease.

Margaret Bourke-White squeezed a towel.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Margaret Bourke-White's struggle with Parkinson's disease.

Margaret Bourke-White with her camera during her later years, when the LIFE staff photographer was struggling with Parkinson’s disease.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Margaret Bourke-White's struggle with Parkinson's disease.

Margaret Bourke-White during her Parkinson’s therapy.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Margaret Bourke-White's struggle with Parkinson's disease.

A doctor explained an operation, here identifying the brain’s thalamus.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Margaret Bourke-White's struggle with Parkinson's disease.

Researching her case, Miss. Bourke-White insisted on learning all details from Dr. Cooper (left) and Dr. Manuel Riklan, interviewed them as though on journalistic assignment. “I realized I had been through one of the greatest adventures of my life,” she explained. “The patient’s world was for me a new world. Experiencing surgery was like going on a new assignment.” She asked if she could watch a similar operation to one she had already had.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Margaret Bourke-White's struggle with Parkinson's disease.

Margaret Bourke-White prepared to observe a surgery.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Margaret Bourke-White's struggle with Parkinson's disease.

Margaret Bourke-White said, “I reached for his hand quite impulsively, when suddenly it stopped trembling. The balloon’s pressure had reached the right spot in the man’s brain. His once-rigid fingers were now relaxed, his hand steady for the first time in 10 years. Dr. Cooper asked him to make a fist, then open it. The fingers closed and opened easily. ‘God bless you, Dr. Cooper,’ the man said. For me this was a magic moment. I knew that in a few days, after the surgeon had deadened the area located by the balloon, this man would be up and about, his tremors relieved. I never met the man, or heard his name, but I shared with him a miracle.”

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Margaret Bourke-White's struggle with Parkinson's disease.

“Proof of progress,” she declared, “is that at long last I again can load my camera.”

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Margaret Bourke-White's struggle with Parkinson's disease.

Margaret Bourke-White at home.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Margaret Bourke-White's struggle with Parkinson's disease.

Margaret Bourke-White outside her home with her cats.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

See 30 of the Best Photographs of Children From the LIFE Magazine Archives

When is the best time to celebrate children? Across the world, in nations from China to Cuba, June 1 marks what is now widely known as International Children’s Day, though some other nations mark it at different times throughout the year, and In November, the U.N. has its own Universal Children’s Day in November.

How about every day? It’s always a good time to celebrate the lives of children and remember the importance of protecting them so that they can fulfill their boundless potential. 

Here, LIFE presents images that capture the breadth of experience of children around the world. Funny or serious, cute or moving, happy or sad, the kids shown here illustrate in their own ways an element that makes childhood special. They may be small, but their inner lives, as captured on film by LIFE’s expert photographers, are anything but.

Chinese-American children in San Francisco, 1936.

Chinese-American children in San Francisco, 1936.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

1181696.jpg

A boy was engrossed in playing marbles, US, 1937.

Pictures Inc. The LIFE Picture Collection/Shutterstock

Eskimo child in Canada, 1937.

An eskimo child in Canada, 1937.

Margaret Bourke-White The LIFE Picture Collection/Shutterstock

A young Rumanian boy, 1938.

A young Rumanian boy, 1938.

John Phillips The LIFE Picture Collection/Shutterstock

Children in blitzed north of England, 1940.

Children in the blitzed north of England, 1940.

Hans Wild The LIFE Picture Collection/Shutterstock

Young boy in the Tungkwan area of China, 1941.

A young boy in the Tungkwan area of China, 1941.

Carl Mydans The LIFE Picture Collection/Shutterstock

A farmer's son holding a pair of Hampshire piglets on farm in Lancaster County, Pennsylvania, 1943.

A farmer’s son held a pair of Hampshire piglets on farm in Lancaster County, Pennsylvania, 1943.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Child actress Margaret O'Brien and her spaniel pet Maggie sharing a bubble bath, Los Angeles, Calif., 1944.

Child actress Margaret O’Brien and her spaniel pet Maggie shared a bubble bath, Los Angeles, 1944.

Marie Hansen The LIFE Picture Collection/Shutterstock

Children having military parade in street in Tarrytown, N.Y., 1944.

These children had their own military parade in Tarrytown, N.Y., 1944.

Eliot Elisofon The LIFE Picture Collection/Shutterstock

Three children graduating kindergarten in the U.S., 1945.

These children had just graduated kindergarten, 1945.

Nina Leen The LIFE Picture Collection/Shutterstock

Austrian girl and her doll, 1946.

An Austrian girl and her doll, 1946.

Nat Farbman The LIFE Picture Collection/Shutterstock

Native American boy of the Chochiti tribe playing drum outside his home, Sante Fe, New Mexico in 1947.

A Native American boy of the Chochiti tribe played the drum outside his home, Sante Fe, New Mexico in 1947.

W. Eugene Smith The LIFE Picture Collection/Shutterstock

David Henseley, young child crippled by polio with both legs in braces, soliciting funds in public fund-raising driver for a new polio hospital. High Point, N.C., 1948.

David Henseley, suffering from polio, solicited funds for a new polio hospital. High Point, N.C., 1948.

Martha Holmes The LIFE Picture Collection/Shutterstock

Four year old Flora and her sister Jacqueline Couch in Leslie County, Kentucky, 1949.

Four year old Flora and her sister Jacqueline Couch in Leslie County, Kentucky, 1949.

Eliot Elisofon The LIFE Picture Collection/Shutterstock

Three young boys eating a Red Cross meal in Arizona, 1950.

Three young boys ate a Red Cross meal in Arizona, 1950.

Ed Clark The LIFE Picture Collection/Shutterstock

Koo Ri Kang, a Korean war orphan who would not smile in South Korea, 1951.

Koo Ri Kang, a Korean war orphan who would not smile, in South Korea, 1951.

Michael Rougier The LIFE Picture Collection/Shutterstock

Nine year old prodigy, Hansan Kaptan, Turkish child, has an exhibition at a gallery in Paris, France, 1951.

Hansan Kaptan of Turkey, a nine-year-old prodigy, had an exhibition at a gallery in Paris, France, 1951.

Gordon Parks The LIFE Picture Collection/Shutterstock

Child standing beside a miniature horse, showing size comparison, Los Angeles, Calif., 1952.

A child stood beside a miniature horse, Los Angeles, Calif., 1952.

Ed Clark The LIFE Picture Collection/Shutterstock

A Jamaican girl scout with surprised look as she watches the arrival of Queen Elizabeth II. Jamaica, 1953.

A young Jamaican girl scout watched the arrival of Queen Elizabeth II. Jamaica, 1953.

Cornell Capa The LIFE Picture Collection/Shutterstock

Group of Boys Club little league baseball players putting on their uniforms while sitting in classroom, Manchester, NH, 1954.

A group of Boys Club little league baseball players put on their uniforms while sitting in a classroom, Manchester, N.H., 1954.

Yale Joel The LIFE Picture Collection/Shutterstock

Children hard at work at school in Iowa, 1954.

Children hard at work at school in Iowa, 1954.

Gordon Parks The LIFE Picture Collection/Shutterstock

A little girl looking at doll through a window, Westchester, NY, 1955.

A little girl looked at a doll through a window, Westchester, NY, 1955.

Ralph Morse The LIFE Picture Collection/Shutterstock

Laughing boy on street in Trastevere, Rome, 1958.

A laughing boy on the street in Trastevere, Rome, 1958.

Carlo Bavagnoli The LIFE Images Collection/Shutterstock

Little boys sleeping on a subway car in New York, NY, 1959.

Little boys visiting from Chicago with their family slept on a subway car in New York, NY, 1959.

Stan Wayman The LIFE Picture Collection/Shutterstock

Sandra Kunhardt pretending she is a doll in the US, 1961.

Sandra Kunhardt pretended she was a doll, 1961.

George Silk The LIFE Picture Collection/Shutterstock

A group of children in India, 1963.

A group of children in India, 1963.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

PARIS

Children watched the story of St. George and the dragon at the puppet theater in the Tuileries in Paris, France, 1963.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

A young child in Vietnam, 1965.

A young child in Vietnam, 1965.

Paul Schutzer The LIFE Picture Collection/Shutterstock

Children in the Watts neighborhood of Los Angeles, Calif., 1966.

Children in the Watts neighborhood of Los Angeles, 1966.

Bill Ray The LIFE Picture Collection/Shutterstock

Children at a school in Lancaster County, Penn., photographed with a Polaroid SX-70 camera, 1972.

Children at a school in Lancaster County, Pennsylvania, 1972.

Co Rentmeester The LIFE Picture Collection/Shutterstock

See the 20 Times John F. Kennedy Appeared on the Cover of LIFE Magazine

The first time the then-future president appeared on the cover of LIFE magazine, in 1953, the story was as light as could be: “LIFE Goes Courting With a U.S. Senator.” Over the course of several pages of photographs, the magazine fawned over the Massachusetts Senator the “handsomest” man in that legislature, 36 at the time, and his 23-year-old fiancée Jacqueline Bouvier. “We hardly ever talk politics,” Jackie told the magazine, alongside images of the two playing softball and football.

Over the course of the next decade, LIFE followed the young politician as he did much more than court. From his presidential victory in 1960 to the trials of governing, the events of his time demonstrated why LIFE and the JFK went together so well. Part celebrity report and part serious world news, the coverage captured the Kennedy magic.

But only a little more than half of the times that JFK appeared as the featured image or story on the magazine’s cover during its 37-year-run took place during that Kennedy decade. (When his face appeared on additional covers throughout the magazine’s publication run, it was as an inset or part of collage.) The rest, starting with the Nov. 29, 1963, issue, were different. After Kennedy’s assassination, his legacy endured. He was, as pictured in a 1966 cover that focuses on his brother Robert’s career, an inescapable figure in the background of the political and cultural history that followed.

July 20, 1953 cover of LIFE magazine. Cover photo by Hy Peskin.

July 20, 1953

Cover photo by Hy Peskin.

Mar. 11, 1957 cover of LIFE magazine. Cover photo by Hank Walker.

March 11, 1957.

Cover photo by Hank Walker.

Apr. 21, 1958 cover of LIFE magazine. Cover photo by Nina Leen.

April 21, 1958

Cover photo by Nina Leen.

August 24, 1959

Cover photo by Mark Shaw.

March 28, 1960

Cover photo by Stan Wayman.

Nov. 21, 1960 cover of LIFE magazine. Cover photo by Paul Schutzer.

November 21, 1960

Cover photo by Paul Schutzer.

Dec. 19, 1960 cover of LIFE magazine. Cover photo by Stanley Tretick.

December 19, 1960

Cover photo by Stanley Tretick.

Jan. 27, 1961 cover of LIFE magazine. Cover photo by Leonard McCombe.

January 27, 1961.

Cover photo by Leonard McCombe.

June 9, 1961 cover of LIFE magazine. Cover photo by Paul Schutzer.

June 9, 1961. Cover photo by Paul Schutzer.

LIFE Magazine

Aug. 4, 1961 cover of LIFE magazine. Cover photo by Karsh.

August 4, 1961

Cover photo by Karsh.

July 13, 1961 cover of LIFE magazine. Cover photo by John Dominis.

July 13, 1961

Cover photo by John Dominis.

Nov. 19, 1963 cover of LIFE magazine. Cover photo by Karsh, Ottawa.

November 19, 1963

Cover photo by Karsh, Ottawa.

Dec. 6, 1963 cover of LIFE magazine. Cover photo by Fred Ward.

December 6, 1963.

Cover photo by Fred Ward.

Oct. 2, 1964 cover of LIFE magazine.

October 2, 1964

July 16, 1965 cover of LIFE magazine. Cover photo by Mark Shaw.

July 16, 1965

Cover photo by Mark Shaw.

Nov. 5, 1965 cover of LIFE magazine. Cover painting by James Fosburgh.

November 5, 1965

Cover painting by James Fosburgh.

Nov. 18, 1966 cover of LIFE magazine. Cover photo by Bill Eppridge.

November 18, 1966.

Cover photo by Bill Eppridge.

Nov. 25, 1966 cover of LIFE magazine.

November 25, 1966

LIFE Magazine

Nov. 24, 1967 cover of LIFE magazine. Main cover photo by John Dominis, insert by Zintgraff.

Main cover photo by John Dominis, insert by Zintgraff.

LIFE Magazine

Aug. 7, 1970 cover of LIFE magazine. Cover photo by Jaques Lowe.

August 7, 1970.

Cover photo by Jaques Lowe.

Behind the Scenes With John Wayne, 1969

John Wayne embodied a  particular kind of American hero. In 1969, in the wake of what LIFE called a “splendid performance” in True Grit, the magazine examined the life of the American icon and reminded readers that, even though the world was changing rapidly, John Wayne was not.

After all, it was a time when audiences could also opt for a newer kind of star (exemplified in Dustin Hoffman, who shared the magazine’s cover with the Western icon). But John Wayne was still making Westerns, still riding horses, still holding onto his vision of right and wrong.

“Writers have a tendency to make me rough and tough, as if I’m ready to punch someone any minute,” the 62-year-old star told LIFE. “I’m not. I haven’t had a fight in many a year. I do see myself as pretty rough, even cruel on occasion, but never mean, never small, never petty.”

In fact, he wouldn’t even take a part to play a character whom he saw as mean or dishonest. If he was going to kill a man on screen, it had to be for a good narrative reason. Though he rued having once said that he didn’t need to act to do his job (the statement was poorly phrased, he explained to the magazine) it was also clearly the case that the John Wayne audiences still loved to watch on screen was, in many ways, the same man LIFE’s cameras captured on set and with his family.

“The reason I hate age,” he said, “is that I love this work so much.”

John Wayne photo essay by John Dominis for LIFE magazine, 1969.

John Wayne during filming of the western movie “The Undefeated.”

John Dominis The LIFE Picture Collection/Shutterstock

John Wayne photo essay by John Dominis for LIFE magazine, 1969.

John Wayne said that while his screen portrayals are comfortingly alike, not all represent his true self.

John Dominis The LIFE Picture Collection/Shutterstock

John Wayne photo essay by John Dominis for LIFE magazine, 1969.

John Wayne during filming of “The Undefeated.”

John Dominis The LIFE Picture Collection/Shutterstock

John Wayne photo essay by John Dominis for LIFE magazine, 1969.

John Wayne during filming of “The Undefeated.”

John Dominis The LIFE Picture Collection/Shutterstock

John Wayne photo essay by John Dominis for LIFE magazine, 1969.

John Wayne during filming of “The Undefeated.”

John Dominis The LIFE Picture Collection/Shutterstock

John Wayne photo essay by John Dominis for LIFE magazine, 1969.

John Wayne and his moviemaking trophies and awards.

John Dominis The LIFE Picture Collection/Shutterstock

John Wayne photo essay by John Dominis for LIFE magazine, 1969.

John Wayne at home with his son Ethan.

John Dominis The LIFE Picture Collection/Shutterstock

John Wayne photo essay by John Dominis for LIFE magazine, 1969.

The three youngest of Wayne’s seven children—John Ethan, 7; Marisa, 3; Aissa, 13—share the spotlight with Wayne and Pilar, his third wife.”

John Dominis The LIFE Picture Collection/Shutterstock

John Wayne photo essay by John Dominis for LIFE magazine, 1969.

John Wayne during filming of “The Undefeated.”

John Dominis The LIFE Picture Collection/Shutterstock

John Wayne photo essay by John Dominis for LIFE magazine, 1969.

Horses from “The Undefeated.”

John Dominis The LIFE Picture Collection/Shutterstock

John Wayne photo essay by John Dominis for LIFE magazine, 1969.

John Wayne during filming of “The Undefeated.”

John Dominis The LIFE Picture Collection/Shutterstock

John Wayne photo essay by John Dominis for LIFE magazine, 1969.

Off camera Wayne went on horseback to survey the 20,000-acre cattle spread near Phoenix in which he was a partner. `I was broke in 1960,” he said to LIFE. “Now I manage my own money.”

John Dominis The LIFE Picture Collection/Shutterstock

John Wayne photo essay by John Dominis for LIFE magazine, 1969.

On the set of “The Undefeated” Wayne, surrounded by extras.

John Dominis The LIFE Picture Collection/Shutterstock

John Wayne photo essay by John Dominis for LIFE magazine, 1969.

The backrub eased the pain of a shoulder separation suffered in a fall from a horse when his saddle slipped.

John Dominis The LIFE Picture Collection/Shutterstock

John Wayne photo essay by John Dominis for LIFE magazine, 1969.

John Wayne on the set of “The Undefeated.”

John Dominis The LIFE Picture Collection/Shutterstock

John Wayne photo essay by John Dominis for LIFE magazine, 1969.

Wayne slept in the custom-built trailer that followed him from location to location. “The only reason I hate age,’ he said, “is that I love this work so much.”

John Dominis The LIFE Picture Collection/Shutterstock

Barbra Streisand at 19: Her Broadway Debut

Barbra Streisand can boast of having more platinum-selling albums than any woman, and of winning an Academy Award. All that success was in front of her in the photos presented here. Back then, she was a 19-year-old making her Broadway debut in a lesser-known Harold Rome musical about the garment business, I Can Get It for You Wholesale.

Somehow, she looks as if she knows what’s coming, even if others didn’t. As LIFE magazine reviewed her performance in the May 18, 1962, issue:

“Barbra has a lovely face that goes well with Cry Me a River and other sad ballads that she sings in nightclubs. But for her stage role she makes herself look like a sour persimmon in order to play an overworked office girl who secretly wants to be called pet names instead of being yelled at all day long, ‘Miss Marmelstein!'” It was at least a kinder review than the one she received in the New York Times, which described Streisand as a “natural comedienne” but also “a girl with an oafish expression, a loud irascible voice and an arpeggiated laugh.”

It was Streisand’s role a few years later as Fanny Brice in Funny Girl that would make a more lasting impression on audiences and critics. As TIME reported in its April 10, 1964, cover story on her breakout, “as she sings number after number and grows in the mind, she touches the heart with her awkwardness, her lunging humor, and a bravery that is all the more winning because she seems so vulnerable. People start to nudge one another and say, ‘This girl is beautiful.'”

She had come a long way from her days as an introverted Brooklyn teen and the years before she removed an “a” from her first name, as a feature in TIME magazine explained:

Her recollections of a Brooklyn girlhood are somber. “It was pretty depressing, and I’ve blocked most of it out of my mind,” she says. She never knew her father. He was a school teacher who died of a cerebral hemorrhage when his daughter Barbara Joan was a year old (1943). Her mother spent the next three years lying in bed, crying, and living on her brother’s Army allotment checks until the checks stopped and she took an office job. Barbara spent her days in the hallways of the six-story brick apartment building they lived in, accepting handout snacks from neighbors.


As a slightly older kid, she used to go up on the rooftop, smoke, and think about being the greatest star. Down in the apartment, her mother warned her never to hold hands with a boy. “I never took part in any school activities or anything,” Barbra remembers. “I was never asked out to any of the proms, and I never had a date for New Year’s Eve. I was pretty much of a loner. I was very independent. I never needed anybody, really.”


…When she was 14, she made her first trip out of Brooklyn a subway ride to Manhattan to see The Diary of Anne Frank. “I remember thinking that I could go up on the stage and play any role without any trouble at all,” she says. After school at home, she used to smoke in the bathroom and do cigarette commercials into the mirror, but she never bothered to go out for school plays. “Why go out for an amateurish high school production when you can do the real thing?”

By the time the TIME cover story came out, Streisand’s three albums already made her the world’s best-selling female recording star on LP. And so much more was yet to come.

Barbra Streisand in the 1962 Broadway play I Can Get It For You Wholesale.

Nineteen-year-old Barbra Streisand played Miss Marmelstein in the 1962 Broadway play “I Can Get It For You Wholesale.”

George Silk The LIFE Picture Collection/Shutterstock

Barbra Streisand in the 1962 Broadway play I Can Get It For You Wholesale.

Barbra Streisand, 1962.

George Silk The LIFE Picture Collection/Shutterstock

Barbra Streisand in the 1962 Broadway play I Can Get It For You Wholesale.

Barbra Streisand, 1962.

George Silk The LIFE Picture Collection/Shutterstock

Barbra Streisand in the 1962 Broadway play I Can Get It For You Wholesale.

Barbra Streisand, 1962.

George Silk The LIFE Picture Collection/Shutterstock

Lillian Roth and Elliott Gould in scene from Broadway musical "I Can Get It for You Wholesale."

Elliot Gould, who played the show’s unscrupulous hero, sang to his mother, played by Lilian Roth; Gould and Streisand, who met during the show, were married from 1963 to ’71.

George Silk The LIFE Picture Collection/Shutterstock

Lillian Roth and Elliott Gould in scene from Broadway musical "I Can Get It for You Wholesale."

Lillian Roth and Elliott Gould in a scene from “I Can Get It for You Wholesale.”

George Silk The LIFE Picture Collection/Shutterstock

Sheree North and Harold Lang in a scene from "I Can Get It for You Wholesale."

Sheree North and Harold Lang in a scene from “I Can Get It for You Wholesale.”

George Silk The LIFE Picture Collection/Shutterstock

Barbra Streisand in the 1962 Broadway play I Can Get It For You Wholesale.

Barbra Streisand, 1962.

George Silk The LIFE Picture Collection/Shutterstock

Barbra Streisand in the 1962 Broadway play I Can Get It For You Wholesale.

Barbra Streisand, 1962.

George Silk The LIFE Picture Collection/Shutterstock

Barbra Streisand in the 1962 Broadway play I Can Get It For You Wholesale.

Barbra Streisand, 1962.

George Silk The LIFE Picture Collection/Shutterstock

Barbra Streisand in the 1962 Broadway play I Can Get It For You Wholesale.

Barbra Streisand, 1962.

George Silk The LIFE Picture Collection/Shutterstock

Barbra Streisand in the 1962 Broadway play I Can Get It For You Wholesale.

Barbra Streisand, 1962.

George Silk The LIFE Picture Collection/Shutterstock

Disturbing Photographs Show Pollution in the Great Lakes Before the Clean Water Act

In 1968, two years before the first Earth Day, LIFE magazine dispatched photographer Alfred Eisenstaedt to the Great Lakes to capture a crisis.

“Lake Erie, the smallest and shallowest of the five lakes, is also the filthiest; if every sewage pipe were turned off today, it would take 10 years for nature to purify Erie. Ontario is a repository for Buffalo-area filth. Michigan, where 16 billion small fish, called seawives, mysteriously died last year, is a cul-de-sac without an overflow pipe, and if Michigan becomes further polluted, the damage may take 1,000 years to repair,” the magazine explained. “Huron and Superior are still relatively clean, but they are in danger.”

And, statistics aside, the photographs Eisenstaedt produced told the story in lurid browns, oranges and grays, punctuated by the vivid iridescence of the occasional oil slick. As many in the United States were starting to realize, pollution of the American environment seemed to be reaching a point of no return. From that, there was some hope. “For selfish as well as civic reasons, more has been done in the past three years to clean the lakes than in the preceding 30,” the article reported.

Though federal water-protection laws did exist already (the Federal Water Pollution Control Act was 20 years old at that point) they were only just starting to get teeth, and technology that would facilitate a clean-up was improving. In 1972, the law was revamped as the Clean Water Act, and the newly formed Environmental Protection Agency made the lakes a priority. They still are, just as they are still under threat from a variety of sources. Though progress has been made on some fronts—Lake Erie has come back from the “dead—the words of one teenager who wrote to the Secretary of the Interior in the 1960s, and who was subsequently quoted by LIFE, still read as a warning.

“I was truly amazed,” he remarked upon visiting a polluted lakeshore, “that such a great country should not solve this problem before it’s too late.”

Color photos of pollution in the Great Lakes in 1968.

Masses of dirty soapsuds glided down Ohio’s Cuyhoga River. Shimmering in sewage, they were bound for Lake Erie.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Color photos of pollution in the Great Lakes in 1968.

In the Cleveland port, litter was used to build unsightly breakwaters.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Color photos of pollution in the Great Lakes in 1968.

Fred Wittal, shown cleaning a meager perch catch, was the last of the commercial fishermen in his area.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Color photos of pollution in the Great Lakes in 1968.

The Cuyahoga snaked through Cleveland, carrying a load of detergents, sewage and chemicals to Lake Erie.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Color photos of pollution in the Great Lakes in 1968.

This oil melange was waste from U.S. Steel. It is shown on the Grand Calumet River, a Lake Michigan tributary where even worms could no longer survive.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Color photos of pollution in the Great Lakes in 1968.

Another problem was natural pollutants such as the red clay delivered by the Big Iron River in Michigan.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Color photos of pollution in the Great Lakes in 1968.

On the Canadian shore, a slaughterhouse pipe was the best place to try to catch what fish were left.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Color photos of pollution in the Great Lakes in 1968.

The Detroit River flowed into Lake Erie.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Color photos of pollution in the Great Lakes in 1968.

“Beside the deep, clear waters that inspired Longfellow to write “By the shore of Gitche Gumee,” a waterfall of taconite tailings from the Reserve Mining Co.’s plant at Silver Bay, Minn. spilled into Lake Superior at the rate of 20 million tons a year.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Color photos of pollution in the Great Lakes in 1968.

Looking like a giant glob of beer foam, pulp wastes from the Hammermill Paper Co. stained Lake Erie’s Pennsylvania shore. The white mess was penned by a dike built of old tires and oil drums, but residue seeped through to foul open waters.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Color photos of pollution in the Great Lakes in 1968.

In 1968, Lake Erie’s Sterling State Park had been dangerously polluted by septic-tank wastes for eight years, but despite warning signs the state of Michigan still permitted swimming.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Color photos of pollution in the Great Lakes in 1968.

White Lake, a five-mile-long catch basin on Lake Michigan’s eastern shore, was covered by sewage-fed weeds.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Color photos of pollution in the Great Lakes in 1968.

At Green Bay, Wis., paper mill refuse helped turn the municipal beach into a marsh: there had been no swimming there for 25 years.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Color photos of pollution in the Great Lakes in 1968.

The beach at Whiting, Ind., 20 miles from Chicago, had been closed for ten years in 1968; Whiting had a problem in common with other lake communities: it had only one sewer system for human refuse and storm waters.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Color photos of pollution in the Great Lakes in 1968.

Lake Michigan’s big polluters were steel mills and refineries, some of which were clustered along the Indiana Harbor ship Canal, an oily caldron running through East Chicago.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Color photos of pollution in the Great Lakes in 1968.

A city sewer dumped into a Great Lake.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Color photos of pollution in the Great Lakes in 1968.

On the U.S. side of Niagara Falls, nearly raw sewage—71 million gallons a day—gushed into the Niagara River. To the fury of Canadians, it then poured into Lake Ontario.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

More Like This

nature

Meet Peter, the Pelican Mascot of Mykonos

nature

Sharks: Fear and Fascination

nature

The Oscar-Winning Movie Where the Stars Were All Birds

nature

Stones on the Run: A Death Valley Spectacle

nature

The Original Vacation Spot

nature

Birds: The World’s Most Remarkable Creatures