See Breathtaking Photos of the Galapagos Islands on the Anniversary of Darwin’s Voyage

The pristine wildlife of the Galapagos Islands, which are located nearly 600 miles off the coast of Ecuador, has long appealed to tourists with an eye for nature. In recent years, the number of such visitors has steadily increased: there were 200,000 of them in 2013, compared to fewer than 12,000 in 1979. But the attraction of the islands is far from new. That same wildlife also attracted a young naturalist to the islands in 1835, and his findings there would inform one of the most important scientific theories ever posited.

Charles Darwin had been sailing for three years on the H.M.S. Beagle, helmed by captain Robert FitzRoy, before arriving at the Galapagos. During the voyage’s five weeks at the islands, he observed giant tortoises and marine iguanas, mockingbirds and finches. His observations of the variations between species on different islands sparked the idea that would lead to his theories of evolution and natural selection, published more than two decades later in On the Origin of Species.

When LIFE sent photographer Alfred Eisenstaedt to photograph the islands in 1957, his camera found many of the same species Darwin had written about. In a lengthy essay accompanying Eisenstaedt’s photographs, LIFE summarized Darwin’s amazement upon finally embarking on the most anticipated leg of his journey:

The Beagle arrived on Sept. 15, and Darwin gazed with awe at the forbidding scene black basaltic mountains, pitted, cratered, blistered, seamed with lava flows, littered with slag heaps, strewn with cinders, parched and prostrate beneath a smoldering, sullen sky. To his eyes the landscape suggested “what we might imagine the cultivated parts of the Infernal regions to be.”

Liz Ronk edited this gallery for LIFE.com. Follow her on Twitter @lizabethronk.

Galapagos Islands 1957

Original caption: ” A giant tortoise, sensing danger, draws in its head with a hiss of alarm. It weighs 500 pounds, measures 51 inches down the back.”

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Galapogos Islands 1957Galapagos Islands 1957

Galapagos Islands 1957

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Galapagos Islands 1957

Sea iguana, Galapagos Islands, 1957.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Galapagos Islands 1957

Seals, Galapagos Islands, 1957.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Galapagos Islands 1957

Original caption: “Galapagos hawk surveys a terrain in which it knows no fear, even of man.”

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Galapagos Islands 1957

Original caption: “Brown pelican, kin to the U.S. pelican, feeds by scooping small fish into its pouch.”

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Galapagos Islands 1957

Original caption: “Lava cliff on Indefatigable Island, mounting above cool, turquoise waters, shows aridity of the Galapagos climate by its crown of cactus trees.”

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Galapagos Islands 1957

Original caption: “Young fur seal suns itself on lava rocks of James Island. At three months, it has been weaned and has learned to swim and forage for itself.”

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Galapagos Islands 1957

Original caption: “Lava lizard dines on a smaller member of his tribe, an unusual meal since lizards normally eat insects. Most abundant of local reptiles, lava lizards are found everywhere on the islands, including the homes of men. When angry they blow themselves up with air and spit their displeasure.”

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Galapagos Islands 1957

Original caption: “Scarlet rock crab squirts water in a moment of fright. Hosts of these crabs search for food, seldom entering the sea though always moistened by spray. Surprisingly nimble, they skitter swiftly into crannies before the winged shadows of their enemies, the predatory birds.”

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Galapagos Islands 1957

Original caption: “Prickly pear cacti reach tree size in the Galapagos, rearing their oval pads to heights of more than 30 feet. Flourishing across the arid lowlands, they provide both food and water to tortoises, iguanas and other animals who consume them spines and all with no apparent ill effects.”

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Galapagos Islands 1957

Original caption: “Coastal pool on James Island is roiled by sportive splashing of a sea lion enjoying a dip. Playful and tame, Galapagos sea lions have held their own against man’s depredations, dwelling in herds on the rocks. Males often acquire harems of about 20 females which they guard jealously.”

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Galapagos Islands 1957

A bird perches on a rock, Galapagos Islands, 1957.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Galapagos Islands 1957

Galapagos Islands 1957

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Galapagos Islands 1957

Galapagos Islands 1957

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Galapagos Islands 1957

Original caption: “1957 expedition was led by Dr. I. Eibl-Eibesfeldt of West Germany and Dr. Robert Bowman of U.S. Behind them: LIFE’s Photographer Alfred Eisenstaedt and Artist Rudolf Freund who illustrated the article.”

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Remembering Raquel Welch: Photos From the Set of “Kansas City Bomber”

Raquel Welch became famous as the star of such movies as Fantastic Voyage (1966) and One Million Years B.C. (also 1966).  When LIFE Magazine profiled Raquel Welch in 1972, she was donning roller skates for a new role. According to LIFE, the actress, who died on February 15, 2023 at age 82, was the “hottest thing on wheels,” throwing elbows and sustaining multiple injuries while filming the roller derby flick Kansas City Bomber.

The film, in which Welch plays a hardened derby star and single mother to a young Jodi Foster, may not have been a critical success, but Welch still believes it had something important to say. In a 2012 interview with GQ, when the Film Society of Lincoln Center was celebrating her body of work, Welch reflected on Kansas City Bomber“s depiction of gender relations in the early 1970s. “You have all those women out there, but the men in the front office are really running it,” she said of the roller derby world depicted in the film. “Which I thought was a really nice metaphor for the way a lot of women felt about their lives at that time.”

In her later years Welch stepped back from acting to focus on charity work and family time. She also cautioned against the superficiality of the sex symbol status she held, and the assumptions people tend to make. “I felt like people had me on a pedestal, and they didn’t know there was this other person,” she told the AARP, talking about the image that helped make her a star, of her in a bikini in the poster for the 1966 movie One Million Years B.C.. “They saw the poster but they didn’t really know the story behind it.”

Liz Ronk, who edited this gallery, is the Photo Editor for LIFE.com. Follow her on Twitter @lizabethronk.

Raquel Welch on the set of Kansas City Bomber 1972

Raquel Welch 1972

Bill Eppridge The LIFE Picture Collection/Shutterstock

Raquel Welch on the set of Kansas City Bomber 1972

Raquel Welch 1972

Bill Eppridge The LIFE Picture Collection/Shutterstock

Raquel Welch on the set of Kansas City Bomber 1972

Raquel Welch 1972

Bill Eppridge The LIFE Picture Collection/Shutterstock

Raquel Welch on the set of Kansas City Bomber 1972

Raquel Welch 1972

Bill Eppridge The LIFE Picture Collection/Shutterstock

Raquel Welch on the set of Kansas City Bomber 1972

Raquel Welch 1972

Bill Eppridge The LIFE Picture Collection/Shutterstock

Raquel Welch on the set of Kansas City Bomber 1972

Raquel Welch 1972

Bill Eppridge The LIFE Picture Collection/Shutterstock

Raquel Welch on the set of Kansas City Bomber 1972

v

Bill Eppridge The LIFE Picture Collection/Shutterstock

Raquel Welch on the set of Kansas City Bomber 1972

Raquel Welch 1972

Bill Eppridge The LIFE Picture Collection/Shutterstock

Raquel Welch on the set of Kansas City Bomber 1972

Raquel Welch 1972

Bill Eppridge The LIFE Picture Collection/Shutterstock

Raquel Welch on the set of Kansas City Bomber 1972

Raquel Welch 1972

Bill Eppridge The LIFE Picture Collection/Shutterstock

Raquel Welch on the set of Kansas City Bomber 1972

Raquel Welch 1972

Bill Eppridge The LIFE Picture Collection/Shutterstock

Raquel Welch on the set of Kansas City Bomber 1972

Raquel Welch 1972

Bill Eppridge The LIFE Picture Collection/Shutterstock

Raquel Welch on the set of Kansas City Bomber 1972

Raquel Welch 1972

Bill Eppridge The LIFE Picture Collection/Shutterstock

Back in the Day: Vikki Dougan’s Head-Turning Moment

Vikki Dougan didn’t quite stick to the pop culture firmament in the manner of Marilyn Monroe and other beauty icons of the1950s, but she did have her moment: an appearance at the 1957 Golden Globes in a backless gown that was the talk of the ceremony. And it appears the model and actress known as “The Back” is having a moment again. In its April 22, 2021 Style section the New York Times trumpeted Dougan’s recent revival in popularity in a story titled “Flashing Back to `The Back.'” The cause: Instagram accounts which celebrate vintage Hollywood. Search on the hashtag #VikkiDougan and you’ll find images with tens of thousands of likes—most of which are drawn from a photoshoot that the starlet did with LIFE’s Ralph Crane in 1957.

“I don’t know, maybe I’m having a resurgence,” she told the Times, talking about her autograph requests. “I’m amazed at these people who write to me, they’ve seen everything I’ve done.”

If characterizing a woman by a notable body part seems reductive and objectifying—well, it is. That was also a not-uncommon publicity practice in a day in which Betty Grable was celebrated for her legs and Jane Russell was sometimes referred to as “The Bust.”

Dougan had actually been modeling and acting for years before her back became the center of attention after that Golden Globes presentation in ’57. But that aspect of her anatomy became such an object of curiosity—years into her career—that Crane conducted the rare photo shoot in which the subject was mostly photographed from behind.

Of particular interest are the images in which Crane had Dougan walk around Los Angeles in a backless dress. Crane’s images of male heads on a swivel play like an early draft of today’s popular “distracted boyfriend” internet meme.

Years before she became “The Back,” Dougan had actually appeared in LIFE magazine on two occasions. The first story, in the July 28, 1952 issue, was a short piece about how Dougan—born Edith Tooker in Brooklyn on Jan. 1, 1929—used different-colored wigs to earn extra bookings as a model. The following year she made on the cover of LIFE’s October 23, 1953 issue with the headline ‘Vikki Dougan: Actress, Model and Mother.’ The story talked about how the divorced 21-year-old balanced her various careers and motherhood. Six photos ran with the story, and in each of them Dougan was facing forward.

In that 1953 article LIFE described how Dougan’s career was going well: “…she earns $100 a week by looking pretty on Jackie Gleason’s TV show, and $250 a week from modeling.” The story also mentioned that she was taking acting classes.

But as the years went on Dougan’s acting career never entirely took sail, and her screen history is defined by small parts in forgettable movies. In the Times story she described a Hollywood experience defined by predatory men and poor management, and also a choice she regretted: turning down a contract from Paramount that did not pay as well as her modeling work, but which might have landed her in more quality films.

About being known as The Back, she said, “It is not symbolic about who I am. It wasn’t really me. I was playing a part. I didn’t even think there was anything even sexy about showing a back. It just didn’t occur to me.”

Model and actress Vikki Dougan wore a backless dress while walking in Los Angeles, 1957.

Ralph Crane/The LIFE Picture Collection © Meredith Corporation

Vikki Dougan walked past crowded park benches in Los Angeles, 1957.

Ralph Crane/The LIFE Picture Collection © Meredith Corporation

Vikki Dougan in Los Angeles, 1957.

Ralph Crane/The LIFE Picture Collection © Meredith Corporation

Vikki Dougan in Los Angeles, 1957.

Ralph Crane/The LIFE Picture Collection © Meredith Corporation

Vikki Dougan, 1957.

Ralph Crane/The LIFE Picture Collection © Meredith Corporation

Model and actress Vikki Dougan, 1957.

Model and actress Vikki Dougan, 1957.

Ralph Crane The LIFE Picture Collection/Shutterstock

Actress Vikki Dougan, 1957.

Ralph Crane/The LIFE Picture Collection © Meredith Corporation

Model and actress Vikki Dougan, 1957.

Model and actress Vikki Dougan, 1957.

Ralph Crane/The LIFE Picture Collection © Meredith Corporation

Model and actress Vikki Dougan, 1957.

Model and actress Vikki Dougan, 1957.

Ralph Crane/The LIFE Picture Collection © Meredith Corporation

Model and actress Vikki Dougan, 1957.

Model and actress Vikki Dougan, 1957.

Ralph Crane/ The LIFE Picture Collection © Meredith Corporation

Model and actress Vikki Dougan, 1957.

Model and actress Vikki Dougan, 1957.

Ralph Crane/The LIFE Picture Collection © Meredith Corporation

Model and actress Vikki Dougan, 1957.

Model and actress Vikki Dougan, 1957.

Ralph Crane/ The LIFE Picture Collection © Meredith Corporation

Model and actress Vikki Dougan, 1957.

Model and actress Vikki Dougan, 1957.

Ralph Crane/The LIFE Picture Collection © Meredith Corporation

Model and actress Vikki Dougan, 1957.

Model and actress Vikki Dougan, 1957.

Ralph Crane/ The LIFE Picture Collection © Meredith Corporation

Model and actress Vikki Dougan, 1957.

Model and actress Vikki Dougan, 1957.

Ralph Crane The LIFE Picture Collection/Shutterstock

Model and actress Vikki Dougan, 1957.

Model and actress Vikki Dougan, 1957.

Ralph Crane/ The LIFE Picture Collection © Meredith Corporation

Model and actress Vikki Dougan, 1957.

Model and actress Vikki Dougan, 1957.

Ralph Crane/The LIFE Picture Collection © Meredith Corporation

For a 1952 LIFE story Vikki Dougan showed the different wigs she wore to get more modeling work.

Nina Leen/The LIFE Picture Collection © Meredith Corporation

Vikki Dougan in a 1952 story about wearing different wigs to get more modeling work.

Nina Leen/The LIFE Picture Collection © Meredith Corporation

Vikki Dougan in a 1953 LIFE story about how she balanced her various careers.

Photo by Lisa Larsen/The LIFE Picture Collection © Meredith Corporation

Vikki Dougan on a modeling job, 1953.

Lisa Larsen/The LIFE Picture Collection © Meredith Corporation

Go For a Swim With Bellybutton the Diving Dog

One of the coolest dogs to appear in the pages of LIFE has to be Bellybutton. The 3-year-old German shorthaired pointer made an impression in 1966 with his underwater agility.

Bellybutton was unique not for his swimming abilities, but for his willingness to dive to retrieve an object. Most dogs retrieve sticks and balls from the water’s surface, but Bellybutton would go as deep as 20 feet and remain submerged for up to 15 seconds. He even practiced his skill on his own one day, LIFE reported, “he dived unbidden into a lake and fetched his master a 10-inch catfish.”

Liz Ronk edited this gallery for LIFE.com. Follow her on Twitter @lizabethronk.

German pointer Bellybutton diving for a rubber bone in swimming pool.

Bellybutton would swim underwater for distances up to 20 feet.

Ralph Crane The LIFE Picture Collection/Shutterstock

German pointer Bellybutton diving for a rubber bone in swimming pool.

German pointer Bellybutton dove for a rubber bone.

Ralph Crane The LIFE Picture Collection/Shutterstock

German pointer Bellybutton diving for a rubber bone in swimming pool.

Bellybutton reached the pool’s bottom to retrieve the bone.

Ralph Crane The LIFE Picture Collection/Shutterstock

German pointer Bellybutton diving for a rubber bone in swimming pool.

Bellybutton neared the rubber bone.

Ralph Crane The LIFE Picture Collection/Shutterstock

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Bellybutton returned to the surface.

Ralph Crane The LIFE Picture Collection/Shutterstock

German pointer Bellybutton diving for a rubber bone in swimming pool.

Bellybutton raced against a human swimmer to capture the bone.

Ralph Crane The LIFE Picture Collection/Shutterstock

German pointer Bellybutton diving for a rubber bone in swimming pool.

Bellybutton exited the pool via the stairs.

Ralph Crane The LIFE Picture Collection/Shutterstock

German pointer Bellybutton diving for a rubber bone in swimming pool.

Bellybutton carried his rubber bone.

Ralph Crane The LIFE Picture Collection/Shutterstock

German pointer Bellybutton diving for a rubber bone in swimming pool.

Bellybutton shook himself dry.

Ralph Crane The LIFE Picture Collection/Shutterstock

German pointer Bellybutton diving for a rubber bone in swimming pool.

Bellybutton received a post-pool rubdown.

Ralph Crane The LIFE Picture Collection/Shutterstock

German pointer, Bellybutton after a swim.

Bellybutton after a swim.

Ralph Crane The LIFE Picture Collection/Shutterstock

Beyond Bond: Rare Photos Of Sean Connery from LIFE Magazine

The link between the actor Sean Connery and the character James Bond has proved to be an indelible one, no matter what Connery himself thought of that fact. The Scottish actor, who passed away on October 31, told Playboy in a 1965 interview that although the role had treated him well he was “fed up to here with the whole Bond bit.” He found the fact that fans identified him with the secret agent “a bit of a bore,” and lamented the lack of recognition for his other roles.

Still, as the first man to play Bond on screen, the association stuck. And when LIFE Magazine featured Connery on its cover in 1966, he posed naturally as his famous alter ego, in a tattered, drenched wetsuit unzipped to his navel. The photograph accompanied a review, inside the magazine, of Thunderball, Connery’s fourth installment in the franchise and, according to LIFE, the “wildest 007 movie yet.”

LIFE’s reviewer, echoing some of the movie’s other critics, censured the film for being “just like the three James Bond movies that preceded it.” It’s an analysis that mirrors the feelings of ennui Connery spouted to Playboy but that doesn’t mean the fans didn’t flock to theaters to see more of the same: The movie was the most successful Bond flick yet.

Connery would, of course, go on to play a diverse array of roles in the 40 years to come. And if anyone pitied him for being temporarily pigeonholed, they needn’t have. “I have always moved around and kept my eyes open and been prepared to raise my middle finger at the world,” he told Playboy. “I always will.”

For more of our favorite Sean Connery photos from the LIFE Picture Collection, see the gallery below.

From the Movie “Another Time, Another Place”

Actors Sean Connery and Lana Turner in scene from movie “Another Time, Another Place,” 1958 (Alfred Eisenstaedt/LIFE Picture Collection)

Actor Sean Connery (L) starring in scene from motion picture ‘The Hill’.

Actor Sean Connery starring in scene from the film “The Hill,” 1965 (Al Fenn/LIFE Picture Collection)

Sean Connery and Brigitte Bardot

Sean Connery and Brigitte Bardot laughing on set of the film “Shalako,” 1968 (Bill Ray/LIFE Picture Collection)

Sean Connery

Sean Connery on set of the film “Shalako,” 1968 (Bill Ray/LIFE Picture Collection)

Sean Connery on set of the film "Shalako," 1968 (Bill Ray/LIFE Picture Collection)

Brigitte Bardot and Sean Connery

Sean Connery on set of the film “Shalako,” 1968 (Bill Ray/LIFE Picture Collection)

Sean Connery and Brigitte Bardot

Sean Connery and Brigitte Bardot on set of the film “Shalako,” 1968 (Bill Ray/LIFE Picture Collection)

Sean Connery

Portrait of Sean Connery, 1982 (DMI/LIFE Picture Collection)

Sean Connery with Singer Diana Ross, 1997

Sean Connery with singer Diana Ross, 1997 (DMI/LIFE Picture Collection)

See Eero Saarinen’s Career in Photos

We sit in his chairs, road-trip to his iconic landmarks and even worship in his churches. Eero Saarinen, born in Finland and educated in the U.S., was one of the most influential architects of the 20th century. Since his death at age 51 from a brain tumor, he has been outlived as is the fate of all successful architects by the work he created, neofuturistic designs that have become a permanent fixture of our landscape.

The son of the renowned Finnish architect Eliel Saarinen, the junior Saarinen grew up in his father’s workroom, and the two entered into a partnership after Eero completed his studies at the Yale School of Architecture. His work ranged from the grand the TWA Terminal at JFK Airport and the Jefferson National Expansion Memorial Arch in St. Louis to the everyday, as with the chairs he designed both on his own and with Charles Eames.

Here, on what would have been his 105th birthday, is a selection of Saarinen’s work photographed for LIFE Magazine from the in-demand, design-oriented furniture to the landmarks that define American cities. Though his aesthetic was eclectic, it can be summed up in four words, as LIFE put it following Saarinen’s death in 1961: “poetic inventiveness, monumental simplicity.”

Architect Eero Saarinen at home in his study w. furniture designed by him, 1958.

Eero Saarinen at home 1958

Frank Scherscehl The LIFE Picture Collection/Shutterstock

Womb Chair by Eero Saarinen, 1953

Womb Chair by Eero Saarinen, 1953

Gjon Mili The LIFE Picture Collection/Shutterstock

Saarinen House in Detroit, 1958.

Saarinen House in Detroit, 1958.

Frank Scherscehl The LIFE Picture Collection/Shutterstock

Fountain in front of new Law Library designed by Eerro Saarinen, 1961.

Fountain in front of new Law Library designed by Eerro Saarinen, 1961.

Andreas Feininger The LIFE Picture Collection/Shutterstock

The TWA terminal, designed by Eero Saarinen, 1961.

The TWA terminal, designed by Eero Saarinen, 1961.

Dmitri Kessel The LIFE Picture Collection/Shutterstock

Jefferson National Expansion Memorial Arch designed by Eero Saarinen, 1965.

Jefferson National Expansion Memorial Arch designed by Eero Saarinen, 1965.

Robert W. Kelley The LIFE Picture Collection/Shutterstock

Jefferson National Expansion Memorial Arch designed by Eero Saarinen, 1965.

Jefferson National Expansion Memorial Arch designed by Eero Saarinen, 1965.

A.Y. Owen The LIFE Images Collection/Shutterstock

Walled-in glass bank designed by Eero Saarinen, 1967.

Walled-in glass bank designed by Eero Saarinen, 1967.

John Loengard The LIFE Picture Collection/Shutterstock

Interior of North Christian Church designed by Eero Saarinen, 1967.

Interior of North Christian Church designed by Eero Saarinen, 1967.

John Loengard The LIFE Picture Collection/Shutterstock

Crowds out side of the North Christian Church designed by Eero Saarinen, 1967.

Crowds out side of the North Christian Church designed by Eero Saarinen, 1967.

John Loengard The LIFE Picture Collection/Shutterstock

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