Duke Ellington, Billie Holiday and More: LIFE Jams With Jazz Legends

LIFE photographer Gjon Mili (who also directed the classic 1944 short film, Jammin’ the Blues) often hosted jam sessions at his photography studio in New York during the 1940s. The pictures in this gallery testify to the talent on hand both musical and photographic at those all-night parties. Duke Ellington, Billie Holiday, Dizzy Gillespie, Count Basie, Lester Young, Roy Eldridge, Cozy Cole, Gene Krupa . . . like the jam sessions themselves, the names of the greats who played at Mili’s studio go on and on and on.

Born in Albania, raised in Romania, Mili emigrated to America to study electrical engineering at M.I.T. Inspired, in 1937, by M.I.T.’s Harold Edgerton’s development of the stroboscopic light, Mili went on to experiment with strobes, film speeds, unusual compositions and subjects in short, he applied his prodigious technical prowess and dedicated his artist’s eye to new ways of seeing.

Time, he realized, “could truly be made to stand still. Texture could be retained despite sudden violent movement.” These insights, combined with his love of jazz, helped him create some of the most intimate, unique portraits of jazz legends ever made by any photographer all in what LIFE magazine called his “smoky sweaty barn of a studio.”

As for the jam sessions themselves, LIFE (helpfully) wrote in its Oct. 11, 1943, issue in which some of these pictures first appeared:

A jam session is an informal gathering of temperamentally congenial jazz musicians who play unrehearsed and unscored music for their own enjoyment. It usually takes place in the early morning hours after the participants have finished their regular evening’s work with large bands. . . . It represents the discarding of the shackles imposed by working with a band that plays You’ll Never Know and All or Nothing at All in the same unimaginative arrangements night after night. It represents the final freedom of musical expression.

Recently such a session took place in the New York studio of LIFE photographer Gjon Mili. From shortly before 9 p.m. until after 4 a.m. some of the most distinguished talents in jazz performed for an audience which, in the smoky sweaty barn of a studio, derived an alert, fascinated, almost frenzied enjoyment from what it heard.

Liz Ronk edited this gallery for LIFE.com. Follow her on Twitter at @LizabethRonk.

Duke Ellington, New York, 1943.

Duke Ellington, New York, 1943.

Gjon Mili The LIFE Picture Collection/Shutterstock

Pearl Primus performs to "Honeysuckle Rose" as played by an all-star group consisting of Teddy Wilson (piano), Lou McGarity (trombone), Sidney Catlett (drums), Bobby Hackett (trumpet) and John Simons (bass).

Pearl Primus performed to “Honeysuckle Rose” as played by an all-star group consisting of Teddy Wilson (piano), Lou McGarity (trombone), Sidney Catlett (drums), Bobby Hackett (trumpet) and John Simons (bass).

Gjon Mili The LIFE Picture Collection/Shutterstock

Billie Holiday sings her standard, "Fine and Mellow," accompanied by James P. Johnson on piano and others, New York, 1943.

Billie Holiday sang her standard, “Fine and Mellow,” accompanied by James P. Johnson on piano and others, New York, 1943.

Gjon Mili The LIFE Picture Collection/Shutterstock

Duke Ellington at the piano as Dizzy Gillespie (seated behind Ellington) and others swing, 1943.

Duke Ellington was at the piano as Dizzy Gillespie (seated behind Ellington) and others accompanied, 1943.

Gjon Mili The LIFE Picture Collection/Shutterstock

Duke Ellington and Dizzy Gillespie, 1943.

Duke Ellington and Dizzy Gillespie, 1943.

Gjon Mili The LIFE Picture Collection/Shutterstock

Edward Kennedy ('Duke') Ellington, who leads what is unquestionably the world's most exciting dance band, plays 'Don't Get Around Much Any More,' his own current best-selling composition.

Duke Ellington played ‘Don’t Get Around Much Any More,’ which was his best-selling composition of the moment.

Gjon Mili The LIFE Picture Collection/Shutterstock

Duke Ellington, 1943.

Duke Ellington, 1943.

Gjon Mili The LIFE Picture Collection/Shutterstock

Vocalist Lee Wiley sings, accompanied by her husband, pianist Jess Stacy, with Eddie Condon on guitar, Sid Weiss on bass and the great Cozy Cole on drums, 1943.

Vocalist Lee Wiley sang, accompanied by her husband, pianist Jess Stacy, with Eddie Condon on guitar, Sid Weiss on bass and Cozy Cole on drums, 1943.

Gjon Mili The LIFE Picture Collection/Shutterstock

Vocalist Lee Wiley sings, accompanied by her husband, pianist Jess Stacy, with Eddie Condon on guitar, Sid Weiss on bass and the great Cozy Cole on drums, 1943.

Vocalist Lee Wiley sang, accompanied by her husband, pianist Jess Stacy, with Eddie Condon on guitar, Sid Weiss on bass and Cozy Cole on drums, 1943.

Gjon Mili The LIFE Picture Collection/Shutterstock

Lee Wiley, 1943.

Lee Wiley, 1943.

Gjon Mili The LIFE Picture Collection/Shutterstock

Conde Nast president Iva Patcevitch (in striped suit), Vogue editor-in-chief Edna Woolman Chase (far right, in hat) and other media types hang out at Gjon Mili's studio during a jam session, 1943.

Conde Nast president Iva Patcevitch (in striped suit), Vogue editor-in-chief Edna Woolman Chase (far right, in hat) and other media types hung out at Gjon Mili’s studio during a jam session, 1943.

Gjon Mili The LIFE Picture Collection/Shutterstock

Unidentified jazz musicians, New York, 1943.

Unidentified jazz musicians, New York, 1943.

Gjon Mili The LIFE Picture Collection/Shutterstock

Josh White sings and plays on guitar his 'Hard Time Blues.'

Josh White sung and played on guitar his ‘Hard Time Blues.’

Gjon Mili The LIFE Picture Collection/Shutterstock

“Milfred ‘Miff” Mole took a chorus on ‘Royal Garden Blues,’ a jam session perennial. Mole, at 45, was the acknowledged father of a hot trombone style that was widely copied.

Gjon Mili The LIFE Picture Collection/Shutterstock

J.C. Heard Orchestra, 1943.

J.C. Heard Orchestra, 1943.

Gjon Mili The LIFE Picture Collection/Shutterstock

Duke Ellington and friends, 1943.

Duke Ellington and friends, 1943.

Gjon Mili The LIFE Picture Collection/Shutterstock

Jazz Jam Sessions, 1943

The legendary Billie Holiday sung ‘Fine and Mellow,’ a blues recorded for the Commodore Label.

Gjon Mili The LIFE Picture Collection/Shutterstock

Franz Jackson on saxophone, accompanied by James P. Johnson at piano, Wilbur De Paris on trombone, Irving Fazola (fifth from left) on clarinet, Al Mott on bass and Cozy Cole on drums.

Franz Jackson played saxophone, accompanied by James P. Johnson at piano, Wilbur De Paris on trombone, Irving Fazola (fifth from left) on clarinet, Al Mott on bass and Cozy Cole on drums.

Gjon Mili The LIFE Picture Collection/Shutterstock

Gene Krupa.

Gene Krupa.

Gjon Mili The LIFE Picture Collection/Shutterstock

Eddie Heywood's hands, 1943.

Eddie Heywood’s hands, 1943.

Gjon Mili The LIFE Picture Collection/Shutterstock

An unidentified bass player's fingers, 1943.

An unidentified bass player’s fingers, 1943.

Gjon Mili The LIFE Picture Collection/Shutterstock

Count Basie, Lester Young, and other jazz greats at Gjon Mili's Studio in New York, 1943.

Count Basie, Lester Young, and other jazz greats at Gjon Mili’s Studio in New York, 1943.

Gjon Mili The LIFE Picture Collection/Shutterstock

James P. Johnson (piano) and friends, 1943.

James P. Johnson (piano) and friends, 1943.

Gjon Mili The LIFE Picture Collection/Shutterstock

Jazz jam session, including Lester Young (standing, in hat) on saxophone and Count Basie at the piano, 1943.

This jam session included Lester Young (standing, in hat) on saxophone and Count Basie at the piano, 1943.

Gjon Mili The LIFE Picture Collection/Shutterstock

James P. Johnson, 1943.

James P. Johnson, 1943.

Gjon Mili The LIFE Picture Collection/Shutterstock

Cozy Cole on drums, Al Mott on bass and Irving Fazola, taking a break from his clarinet, 1943.

Cozy Cole on drums, Al Mott on bass and Irving Fazola, taking a break from his clarinet, 1943.

Gjon Mili The LIFE Picture Collection/Shutterstock

The one and only Roy Eldridge plays trumpet during drummer Gene Krupa's jam session at Gjon Mili's studio, 1940s.

Roy Eldridge played trumpet during drummer Gene Krupa’s jam session at Gjon Mili’s studio, 1940s.

Gjon Mili The LIFE Picture Collection/Shutterstock

Mary Lou Williams (who arranged for Ellington's band) jams in Gjon Mili's studio, New York, 1943.

Mary Lou Williams (who arranged for Ellington’s band) jammed in Gjon Mili’s studio, New York, 1943.

Gjon Mili The LIFE Picture Collection/Shutterstock

Gjon Mili's cat Blackie steps gingerly among empty glasses left on top of the piano after an all-night jam session at his (Mili's, not the cat's) studio, 1942.

Gjon Mili’s cat Blackie stepped gingerly among empty glasses left on top of the piano after an all-night jam session at his (Mili’s, not the cat’s) studio, 1942.

Gjon Mili The LIFE Picture Collection/Shutterstock

The next morning, Gjon Mili's studio was littered with cigaret stubs, broken glasses, spilled liquor. Many jazz musicians eat scrambled eggs and benzedrine for breakfast.

On a morning after, Gjon Mili’s studio was littered with cigaret stubs, broken glasses, spilled liquor.

Gjon Mili The LIFE Picture Collection/Shutterstock

Unhappy Returns: Portraits of Miserable, Anxious Taxpayers

We all know the feeling: a gnawing anxiety that somewhere out there, an IRS auditor is reaching for our file. But perhaps we can draw some very small solace from the realization that this painfully specific, tax-related misery is nothing new.

LIFE’s Alfred Eisenstaedt captured the most dreaded rite of spring filing tax returns seven decades ago, and except for the style of clothes on display, these pictures might have been taken last April, or the April before that. Here, more than a century after the enactment of the income tax (Feb. 3, 1913), LIFE.com commemorates the grim, unavoidable task of paying one’s national dues with a gallery of photographs.

Eisenstaedt’s candid shots of taxpayers, taken with a telephoto lens from around 40 feet away from his subjects at an IRS information center in 1944 New York, reaffirm the old adage that, even when it comes to taxes, the more things change, the more they remain for better or for worse very much the same.

A woman at an Internal Revenue information center in New York in 1944.

A woman at an Internal Revenue information center in New York in 1944.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

A man at an Internal Revenue information center in New York in 1944.

Internal Revenue information center, New York, 1944.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

A woman at an Internal Revenue information center in New York in 1944.

Internal Revenue information center, New York, 1944.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

A man at an Internal Revenue information center in New York in 1944.

Internal Revenue information center, New York, 1944.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

A man at an Internal Revenue information center in New York in 1944.

Internal Revenue information center, New York, 1944.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

A woman at an Internal Revenue information center in New York in 1944.

Internal Revenue information center, New York, 1944.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

A man at an Internal Revenue information center in New York in 1944.

Internal Revenue information center, New York, 1944.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

A woman at an Internal Revenue information center in New York in 1944.

Internal Revenue information center, New York, 1944.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

A man at an Internal Revenue information center in New York in 1944.

Taxes 1944

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

A woman at an Internal Revenue information center in New York in 1944.

Internal Revenue information center, New York, 1944.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

A man at an Internal Revenue information center in New York in 1944.

Internal Revenue information center, New York, 1944.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

A woman at an Internal Revenue information center in New York in 1944.

Internal Revenue information center, New York, 1944.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

A priest at an Internal Revenue information center in New York in 1944.

Internal Revenue information center, New York, 1944.

Alfred Eisenstaedt The LIFE Picture Collection/Shutterstock

Jackie Kennedy: The First Lady Wows India in 1962

“If she commanded fewer crowds than previous, official tourists like President Eisenhower and Queen Elizabeth,” LIFE wrote of Jackie Kennedy’s 1962 goodwill tour of India, “she [nevertheless] conducted herself magnificently.”

Kennedy—all of 32 years old and, a full year into her husband’s administration, arguably the most famous woman in the world—”wore a perpetual grin and a dazzling collection of clothes that were both perfect and simple” during her March 12-21 visit. But, as correspondent Anne Chamberlin reported, she “was not slavishly given over to Kennedy ways. One morning when a lot of Kennedys would have been up to see the sun rise over Delhi or swim 80 laps in the pool, Jackie slept late.”

While in India the stylish First Lady also had an effect on the “traditionally dowdy female press corps,” LIFE wrote: “Two lady reporters now carry, in addition to typewriters, hatboxes containing wigs, and three take notes while wearing little white gloves.”

Here, LIFE.com offers a series of photographs—many of which never ran in LIFE—that capture a young woman, wife, mother and fashion icon-in-the-making (“Her every seam has been the subject of hypnotized attention from the streets of Delhi to the Khyber Pass,” Chamberlin wrote) navigating with evident ease the high-stakes, high-stress worlds of diplomacy and international relations.

For her part, meanwhile, it was clear that Mrs. Kennedy took something of India with her when she left.

“It’s been a dream,” Jackie said of her trip.

In a sea of Indian saris, Mrs. Kennedy and Rajasthan's governor move through Jaipur airport. On her forehead is the Rajasthani mark of luck and respect, the tika. Her silver-encased coconut also honors the occasion

In a sea of Indian saris, Mrs. Kennedy and Rajasthan’s governor moved through Jaipur airport. On her forehead was the Rajasthani mark of luck and respect, the tika. Her silver-encased coconut also honored the occasion.

Art Rickerby The LIFE Picture Collection/Shutterstock

Indira Gandhi with Jackie Kennedy in 1962.

Indira Gandhi with Jackie Kennedy in 1962.

Art Rickerby The LIFE Picture Collection/Shutterstock

The First Lady Jackie Kennedy and sister Lee Radziwill in India in 1962. LIFE estimated Jackie wore 22 different outfits during her trip; on one day in New Delhi she changed five times.

The First Lady Jackie Kennedy and sister Lee Radziwill in India in 1962. LIFE estimated that Jackie wore 22 different outfits during her trip; on one day in New Delhi she changed five times.

Art Rickerby The LIFE Picture Collection/Shutterstock

On a side trip to a textile showroom in Banaras, Mrs. Kennedy wore a sleeveless pink unbelted and high-waisted sheath of linen-like silk by New York designer Donald Brooks. Covered buttons up the side.

On a side trip to a textile showroom in Banaras, Jackie Kennedy wore a sleeveless pink unbelted and high-waisted sheath of linen-like silk by New York designer Donald Brooks.

Art Rickerby The LIFE Picture Collection/Shutterstock

As day followed vivid day, India's magic began to work on Mrs. Kennedy and   in a change from the first days of the trip   she became relaxed and easy

As day followed vivid day, India’s magic began to work on Jackie Kennedy and — in a change from the early stages of the trip —she became relaxed and easy.

Art Rickerby The LIFE Picture Collection/Shutterstock

Jackie Kennedy during her visit to India in March 1962.

Jackie Kennedy during her visit to India in March 1962.

Art Rickerby The LIFE Picture Collection/Shutterstock

First Lady Jackie Kennedy, center, in a white coat and hat walks with Ambassador John Galbrath, right, in India in 1962.

First Lady Jackie Kennedy, center, walked with Ambassador John Galbrath, right, in India in 1962.

Art Rickerby The LIFE Picture Collection/Shutterstock

The esthetic summit of Jackie's trip was her visit to the Taj Mahal. She saw it twice  once in the morning, as here, and again by moonlight, when she returned to stand in awe before its pale splendor.

The esthetic summit of Jackie’s trip was her visit to the Taj Mahal. She saw it twice —once in the morning, as here, and again by moonlight, when she returned to stand in awe before its pale splendor.

Art Rickerby The LIFE Picture Collection/Shutterstock

Jackie Kennedy presents a cup to Princess Gayatri Devi, right, and members of a polo team in Jaipur in March 1962.

Jackie Kennedy presented a cup to Princess Gayatri Devi, right, and members of a polo team in Jaipur.

Art Rickerby The LIFE Picture Collection/Shutterstock

Jackie Kennedy attends a formal event in India in 1962.

Jackie Kennedy attended a formal event in India in 1962.

Art Rickerby The LIFE Picture Collection/Shutterstock

At Jaipur, sitting in an elaborately carved howdah, Jackie and her sister [Lee Radziwill] ride on a trumpeting female elephant, newly painted and spangled for the show.

At Jaipur, sitting in an elaborately carved howdah, Jackie and her sister, Lee Radziwill, rode on a trumpeting female elephant, newly painted and spangled for the show.

Art Rickerby The LIFE Picture Collection/Shutterstock

First Lady Jacqueline Kennedy wears a pink dress and three-stranded pearls during her visit with Indian leader Jawaharlal Nehru, left, and Ambassador to the U.S., Braj Kumar Nehru.

First Lady Jacqueline Kennedy visited with Indian leader Jawaharlal Nehru, left, and Ambassador to the U.S., Braj Kumar Nehru.

Art Rickerby The LIFE Picture Collection/Shutterstock

In fitted silk apricot dress, Jackie walks through crowds at Udaipur, where she was given a noisy reception." She walks with the Maharaj of Mewar, left, during her visit in 1962.

Jackie walked with the Maharaj of Mewar.

Art Rickerby The LIFE Picture Collection/Shutterstock

Jacqueline Kennedy

In a fitted silk apricot dress, Jackie walked through crowds at Udaipur, where she was given a noisy reception.

Art Rickerby The LIFE Picture Collection/Shutterstock

Mrs. Kennedy, center, and Mrs. Indira Gandhi, third from left, attend a sporting event on the First Lady's tour of India in March 1962.

Jackie Kennedy, center, and Indira Gandhi, third from left, attended a sporting event on the First Lady’s tour of India in March 1962.

Art Rickerby The LIFE Picture Collection/Shutterstock

Mrs. Kennedy smiles with the U.S. ambassador to India, John Kenneth Galbraith, in 1962.

Jackie Kennedy smiled with the U.S. ambassador to India, John Kenneth Galbraith, in 1962.

Art Rickerby The LIFE Picture Collection/Shutterstock

Jackie Kennedy during her tour of India in March 1962.

Jackie Kennedy during her tour of India in March 1962.

Art Rickerby The LIFE Picture Collection/Shutterstock

Jackie Kennedy visits children in a hospital during her tour of India in March 1962.

Jackie Kennedy visited children in a hospital during her tour of India in March 1962.

Art Rickerby The LIFE Picture Collection/Shutterstock

First Lady Jackie Kennedy is greeted by Gov. Gurmukh Nihal Singh, center, at Jaipur Airport in March 1962.

First Lady Jackie Kennedy was greeted by Gov. Gurmukh Nihal Singh, center, at Jaipur Airport in March 1962.

Art Rickerby The LIFE Picture Collection/Shutterstock

On a carved wooden swing in the prime minister's garden, the First Lady sits and talks with Mrs. Indira Gandhi, Nehru's daughter and the former president of the ruling Congress party of India.

On a carved wooden swing in the prime minister’s garden, the First Lady sat and talked with Indira Gandhi, Nehru’s daughter and the former president of the ruling Congress party of India.”

Art Rickerby The LIFE Picture Collection/Shutterstock

Jackie walks with Indian Prime Minister Jawaharlal Nehru in the garden of his home in 1962.

Jackie walked with Indian Prime Minister Jawaharlal Nehru in the garden of his home in 1962.

Art Rickerby The LIFE Picture Collection/Shutterstock

Jackie Kennedy on her tour of India in March 1962.

Jackie Kennedy during her tour of India in March 1962.

Art Rickerby The LIFE Picture Collection/Shutterstock

On veranda outside her room at the residence of Prime Minister Nehru, Mrs. Kennedy turns her miniature camera on photographers. Beside her, Ambassador Galbraith busies himself with his notes

On a veranda outside her room at the residence of Prime Minister Nehru, Jackie Kennedy turned her miniature camera on photographers. Beside her, Ambassador Galbraith busied himself with his notes.

Art Rickerby The LIFE Picture Collection/Shutterstock

Jackie Kennedy with Prime Minister Jawaharlal Nehru in India in 1962.

Jackie Kennedy with Prime Minister Jawaharlal Nehru in India in 1962.

Art Rickerby The LIFE Picture Collection/Shutterstock

First Lady Jackie Kennedy, right, in blue sheath dress and white gloves watches a polo match with Maharani of Jaipur, Gayatri Devi, on a visit to India in March 1962.

First Lady Jackie Kennedy, right, in a blue sheath dress and white gloves, watched a polo match with Maharani of Jaipur, Gayatri Devi, on a visit to India in March 1962.

Art Rickerby The LIFE Picture Collection/Shutterstock

At a glittering state luncheon for her in New Delhi, the First Lady, wearing a green Oleg Cassini sheath, sits at the right hand of Prime Minister Nehru.

At a glittering state luncheon for her in New Delhi, the First Lady, wearing a green Oleg Cassini sheath, sat at the right hand of Prime Minister Nehru.

Art Rickerby The LIFE Picture Collection/Shutterstock

Jackie Kennedy at the Taj Mahal in March 1962.

Jackie Kennedy at the Taj Mahal in March 1962.

Art Rickerby The LIFE Picture Collection/Shutterstock

Fair Question?: When LIFE Tested the 1940 Census

Age? Income? Mortgage? Toilet? Bathtub? Radio?

Thus did LIFE magazine kick off a lengthy article in its March 18, 1940, issue featuring photographs from a “test census” in Indiana’s St. Joseph and Marshall counties in the summer of 1939 the purpose of which, LIFE wrote, was “to see whether any of the new questions proposed for the 1940 census were too difficult or too objectionable to answer.”

“On April 1,” the March 1940 article explained, “an army of some 120,000 census takers will march forth to ring doorbells and ask questions [how old residents are, how much their house is worth, how far they got in school, how much family members earn at their jobs, etc.] about every home and human in the land. Though the census has been taken every 10 years since 1790, last week it was front-page news. In the Senate, in letters-to-the-editors and letters-to-Congressmen rose a chorus of outraged squawks led by Republican senator Charles W. Tobey of New Hampshire against ‘bureaucratic snooping’ represented by some of the 1940 questions, particularly those about income and mortgages. Indignant clubwomen threatened to overflow the jails, and the New York Legislature petitioned Congress to withdraw the questions. Sniffed President Roosevelt: ‘Politics!'”

“It is a significant comment,” LIFE told its readers, “on the current Republican-led rebellion against census ‘snoopery’ that only about one Indiana citizen in 50 objected at all to answering any of the questions, and these were brought around by a little persuasive explanation.”

1940 census: Test in Indiana

A “test census” in South Bend, Indiana, summer 1939, ahead of the full, national census undertaken in spring 1940.

Hansel Mieth Time & Life Pictures/Shutterstock

1940 census: Test in Indiana

A “test census” taker talks with a housewife on the porch of her home, South Bend, Indiana, 1939.

Hansel Mieth Time & Life Pictures/Shutterstock

1940 census: Test in Indiana

“Test census” taker talks with South Bend, Ind., mayor Jesse I. Pavey and his family, 1939.

Hansel Mieth Time & Life Pictures/Shutterstock

1940 census: Test in Indiana

Census taker Seymour Weiss (fourth from left) questions Mrs. George B. Townsend (center), Indiana, 1939.

Hansel Mieth Time & Life Pictures/Shutterstock

1940 census: Test in Indiana

Grocery owner Oscar Banfi (center) talks with a “test census” taker, 1939.

Hansel Mieth Time & Life Pictures/Shutterstock

1940 census: Test in Indiana

A “test census” in South Bend, Indiana, summer 1939, ahead of the full, national census undertaken in spring 1940.

Hansel Mieth Time & Life Pictures/Shutterstock

1940 census: Test in Indiana

“Test census” taker talks with Mrs. Clarence Schultz and her children, Indiana, 1939.

Hansel Mieth Time & Life Pictures/Shutterstock

1940 census: Test in Indiana

Test census in Indiana, 1939.

Hansel Mieth Time & Life Pictures/Shutterstock

1940 census: Test in Indiana

Test census in Indiana, 1939.

Hansel Mieth Time & Life Pictures/Shutterstock

1940 census: Test in Indiana

Test census in Indiana, 1939.

Hansel Mieth Time & Life Pictures/Shutterstock

1940 census: Test in Indiana

“Test Census” taker talks with nurses Louise Bergland (left) and Evelyn McGuinness (center) at Epworth Hospital in South Bend, Indiana, 1939.

Hansel Mieth Time & Life Pictures/Shutterstock

Happy Leap Day!

February 29 is one of those dates, like November 11, or Friday the 13th, or the summer solstice, that seems more freighted with possibilities, both good and bad, than other days of the year. And because the 29th day of the second month only comes around every four years—an attempt by humans to make up for the fact that a year is not, strictly speaking, comprised of 365 days, but 365 and a quarter days (it’s math, look it up)—Leap Day can sometimes feel like a gift. An extra day added to the calendar. A full 24 hours that we didn’t have last year and that we won’t have next year, in which we might do … anything.

Here, then, in celebration of Leap Day, and of the wonderful act of simply leaping about, LIFE.com respectfully offers a gallery of pictures that feel full of possibilities: images that, for the most part, try to approximate what Wordsworth might have been driving at when he wrote, more than 200 years ago, “My heart leaps up when I behold / A rainbow in the sky.”

Or, as House of Pain put it more succinctly, if less poetically in 1992: Jump around!

Happy Leap Day, everybody.

Liz Ronk edited this gallery for LIFE.com. Follow her on Twitter @lizabethronk.

 

Fred Astaire executes a seemingly effortless leap in the 1946 film, Blue Skies.

Bob Landry Time & Life Pictures/Shutterstock

Presidential candidate John F. Kennedy leaps from his car in 1960.

Paul Schutzer Time & Life Pictures/Shutterstock

Artist Jane Eakin sits on the shoulders of rope-skipping champion Gordon Hathaway in 1947.

Gjon Mili Time & Life Pictures/Shutterstock

Starlet June Preisser jumping in a pool, 1940

Peter Stackpole Time & Life Pictures/Shutterstock

Hugh O’Brian as Wyatt Earp, 1956

Allan Grant Time & Life Pictures/Shutterstock

Crewmen simulating escape from a plane jump, in their flight suits, into a swimming pool during training at McClellan Air Force base in California in 1954.

George Silk Time & Life Pictures/Shutterstock

Acrobat and actor Russ Tamblyn does a flip on the sidewalk while walking with Venetia Stevenson in 1955.

Allan Grant Time & Life Pictures/Shutterstock

Actress Christine Norden and jumping dog in 1948

Nat Farbman Time & Life Pictures/Shutterstock

A horse and rider sail gracefully toward a water tank in Atlantic City in 1953.

Peter Stackpole Time & Life Pictures/Shutterstock

A multiple exposure shot of a gymnast jumping on a trampoline in 1960.

A multiple exposure shot of a gymnast jumping on a trampoline in 1960.

J.R. Eyerman Time & Life Pictures/Shutterstock

Alice Marble, No. 1 American women’s tennis player, leaps over the net in 1939.

Gjon Mili Time & Life Pictures/Shutterstock

Walter Davis leads a dance class, 1952

John Dominis Time & Life Pictures/Shutterstock

Frank Gehry jumps on a desk   part of his line of cardboard furniture   in 1972.

Architect and designer Frank Gehry jumps on a desk—part of his line of cardboard furniture—in 1972.

Ralph Morse Time & Life Pictures/Shutterstock

Rudy the Dachshund shows off his bed-jumping form in 1946.

Frank Scherschel Time & Life Pictures/Shutterstock

A man jumps on a trampoline in California in 1960.

Ralph Crane Time & Life Pictures/Shutterstock

An SMU cheerleader takes to the air at a University of Texas football game in 1950.

An SMU cheerleader takes to the air at a University of Texas football game in 1950.

Loomis Dean Time & Life Pictures/Shutterstock

Leon James and Willa Mae Ricker demonstrate how the Lindy Hop is meant to be danced in 1943

Gjon Mili Time & Life Pictures/Shutterstock

Tamara Toumanova executes a grand jeté for actor, singer, dancer and comedian Danny Kaye in 1945.

Peter Stackpole Time & Life Pictures/Shutterstock

Civil Rights: Segregation in South Carolina, 1956

In late 1956, over the course of several months, LIFE published what the magazine described as “a series of major articles on the background of the crisis brought about by the school segregation decision [Brown v. Board of Education] of the Supreme Court. . . . Although the ground that is to be covered in the series is not wholly new to Americans, it is unfamiliar as a subject of moderate and unprejudiced consideration.”

The series, titled The Background of Segregation, explored that emotionally and politically charged issue. For one  riveting segment of the monumental five-part series, “Voices of the White South,” LIFE dispatched the great photographer Margaret Bourke-White to Greenville, South Carolina, where she documented citizens from varying walks of life who unapologetically supported the legacy and the practice of open, legal segregation.

Here, in striking color photographs that, at times, convey an unsettling intimacy, Bourke-White’s work opens a window on an era that, for better and for worse, helped define 20th-century America. The “Voices of the White South” article, which won praise and awards when published, was extraordinary for, among other things, the utterly non-sensational methodology and tone of its reportage. While much of the national debate over desegregation was dominated in the mid-1950s by often (and often understandable) heated language and actions “Voices” was a measured take on the issue. Far from emphasizing its own pro-integrationist sensibility, LIFE allowed Southerners to discuss their own pro-segregationist views in their own words, at length and created a portrait of the South far more nuanced than the depiction usually found in the liberal “Yankee” press.

The article was not, in the end, an anti-segregationist screed, but instead an honest glimpse into the heart of a culture frightened of what the future might hold.

“Outside the South,” LIFE wrote, “the white Southerner who believes in segregation is sometimes pictured as a latter-day Simon Legree who now does with law what used to be done with a whip. If he no longer runs around wearing a bed sheet and setting fire to crosses, he doubtless belongs to a ‘Citizens Council,’ which Hodding Carter [then a prominent newspaper editor from Mississippi] has described as ‘the uptown Ku Klux Klan.’ There are Southerners who fit this picture, but there are many more who are thoughtful, pious gentlefolk and who are still in favor of segregation.”

LIFE’s Dick Stolley, who would go on to become the magazine’s managing editor and the founding Managing Editor of People, among many other roles, worked on the Background of Segregation series as an Atlanta-based correspondent for the magazine. He told LIFE.com that, considering how despised the magazine was across the South for its solidly pro-integration editorial stance, he was “astonished at the time, and I remain astonished today, that I was able to find five Southern whites who were willing to talk to LIFE about their reasons for so adamantly opposing integration.”

While the “Voices” article was striking not only for its powerful color photographs and the (largely) subdued tenor of its language—especially in light of the politically and emotionally explosive nature of the topic at hand—a few of the observations made in the piece, encountered six decades later, are beyond jarring. Some of them, in fact even when read with an awareness of the era in which they were written are nothing less than shocking to contemporary ears.

LIFE reminded its readers that ex-Governor Herman Talmadge of Georgia was only one of countless prominent Southerners “who feel that segregation must be preserved.” Talmadge, LIFE wrote, believed that “to destroy segregation would be to destroy the South. . . .”

[His] viewpoint is traditional and has, in the eyes of many white Southerners, the honor that attaches to a great past. “God advocates segregation,” Governor Talmadge maintains. “There are five different races and God created them all different. He did not intend them to be mixed or He would not have separated or segregated them. Certainly history shows that nations composed of a mongrel race lose their strength and become weak, lazy and indifferent. They become easy prey to outside nations. And isn’t that just exactly what the Communists want to happen to the United States?” This is a viewpoint that has been expressed by generations of southern political leaders and remains widely accepted in the rural South today.

In the “Voices” article, a 38-year-old white sharecropper in North Carolina summed up his support of segregation and his views on his black neighbors and fellow farmers this way:

“We’re working to own our farm. We want to hurry up and get someplace. But they just don’t work. They just don’t care. All they’re looking for is the end of the week when the landlord will shoot ’em a little money. [T]hey take a bath once a month, and their fields don’t look like they’s hardly tending them.” At the same time, according to LIFE, the sharecropper’s approval of segregation was “based as much, or more, on personal pride than notions of color. He would rather have a Negro living next door than he would a white ‘redneck’ or ‘peckerwood.’ In his view, ‘there’s nothing sorrier than a sorry white man.'”

The white sharecropper’s wife, LIFE wrote, “also approves of segregation and will not let her 9-year-old daughter play with an 8-year-old Negro neighbor. This is the reason she gives: ‘If our landlord came down here and saw her playing with a colored boy, he wouldn’t respect us. Only poor class whites do that. We’re trying to keep our self-respect and keep the highest level socially we can. We’re willing to work with the Negroes, but that’s as far as we’ll go.”

Another quote from the article that shares the sentiment and even the vocabulary of pronouncements that for decades have sent chills through men and women involved in the struggle for justice and equal rights came from Greenville’s white mayor, Kenneth Cass. “There is no race trouble here,” he told LIFE, “and there won’t be, unless an agitator comes in and stirs it up.”

One man quoted at some length in the “Voices” article was Ralph McGill, editor of the Atlanta Constitution newspaper. “‘There are those who insist that segregation protects the ‘integrity’ of both races,” McGill said. “There are others who believe, with deep sincerity, that Negroes are ‘better off’ under it. Conceivably this might be argued with some logic. It does not matter. The world . . . has moved on. Segregation by law no longer fits today’s world…. Segregation is on its way out, and he who tries to tell the people otherwise does them a great disservice. The problem of the future is how to live with the change.'”
_________________________________________________________________________

Liz Ronk edited this gallery for LIFE.com. Follow her on Twitter @lizabethronk.

African-American maid prepares a white family's supper in Greenville, SC, 1956.

An African-American maid prepared a white family’s supper in Greenville, South Carolina, 1956.

Margaret Bourke-White The LIFE Picture Collection/Shutterstock

Children play in a segregated neighborhood, Greenville, South Carolina, 1956.

Children played in a segregated neighborhood, Greenville, South Carolina, 1956.

Margaret Bourke-White The LIFE Picture Collection/Shutterstock

Young girls listen attentively in a sewing class, Greenville, S. Carolina, 1956.

Young girls listened attentively in a sewing class, Greenville, South Carolina, 1956.

Margaret Bourke-White The LIFE Picture Collection/Shutterstock

Home inspection in a black neighborhood, Greenville, South Carolina, 1956.

Home inspection in a black neighborhood, Greenville, South Carolina, 1956.

Margaret Bourke-White The LIFE Picture Collection/Shutterstock

Generations pass the time on a porch in Greenville, South Carolina, 1956.

Generations passed the time on a porch in Greenville, South Carolina, 1956.

Margaret Bourke-White The LIFE Picture Collection/Shutterstock

Mayor Kenneth Cass converses with a Greenville, S. Carolina, resident, 1956.

Mayor Kenneth Cass conversed with a Greenville resident, 1956.

Margaret Bourke-White The LIFE Picture Collection/Shutterstock

Greenville, South Carolina's mayor Kenneth Cass (above, in tie) at a car wash, 1956.

Greenville, South Carolina’s mayor Kenneth Cass (in tie) visited a car wash, 1956.

Margaret Bourke-White The LIFE Picture Collection/Shutterstock

Greenville, South Carolina, 1956.

Greenville, South Carolina, 1956.

Margaret Bourke-White The LIFE Picture Collection/Shutterstock

Outside a roadhouse, South Carolina, 1956.

Outside a roadhouse, South Carolina, 1956.

Margaret Bourke-White The LIFE Picture Collection/Shutterstock

Two black men arrested for disorderly conduct in Greenville, S. Carolina, 1956.

Two black men were arrested for disorderly conduct in Greenville, South Carolina, 1956.

Margaret Bourke-White The LIFE Picture Collection/Shutterstock

Three women stand before a magistrate (note pistol in his hand) after a disturbance at a juke joint, S. Carolina, 1956.

Three women stood before a magistrate after a disturbance at a juke joint, South Carolina, 1956.

Margaret Bourke-White The LIFE Picture Collection/Shutterstock

A work crew comprised of inmates, Greenville, South Carolina, 1956.

A work crew comprised of inmates, Greenville, South Carolina, 1956.

Margaret Bourke-White The LIFE Picture Collection/Shutterstock

Another Bourke-White photograph of this scene -- of inmates digging a drainage ditch in Greenville, SC -- appeared in the Sept. 17, 1956 issue of LIFE. "The white girl," read the caption, "lives in a nearby house [and] came out to watch when she saw the gang start work."

Inmates dug a drainage ditch in Greenville. The girl in the foreground lived nearby and came out to watch when she saw the gang start to work.

Margaret Bourke-White The LIFE Picture Collection/Shutterstock

South Carolina- Separate + Unequal (56')

Greenville mayor Kenneth Cass reviewed a map of proposed roads in an upper-income housing development, 1956. The development was privately built by African Americans, and the city fully cooperated with their plans.

Margaret Bourke-White The LIFE Picture Collection/Shutterstock

Segregated playground, Greenville, S. Carolina, 1956.

Segregated playground, Greenville, South Carolina, 1956.

Margaret Bourke-White The LIFE Picture Collection/Shutterstock

Segregated playground, Greenville, S. Carolina, 1956.

Segregated playground, Greenville, South Carolina, 1956.

Margaret Bourke-White The LIFE Picture Collection/Shutterstock

Segregated playground, Greenville, S. Carolina, 1956.

Segregated playground, Greenville, 1956.

Margaret Bourke-White The LIFE Picture Collection/Shutterstock

A night out at a juke joint, S. Carolina, 1956.

A night out at a juke joint in Greenville, South Carolina.

Margaret Bourke-White The LIFE Picture Collection/Shutterstock

A night out at a juke joint, S. Carolina, 1956.

A night out at a Greenville juke joint.

Margaret Bourke-White The LIFE Picture Collection/Shutterstock

South Carolina- Separate + Unequal (56')

Dancing in Greenville.

Margaret Bourke-White The LIFE Picture Collection/Shutterstock

A night out at a juke joint, S. Carolina, 1956.

A night out at a Greenville juke joint.

Margaret Bourke-White The LIFE Picture Collection/Shutterstock

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