Boss Mode: Springsteen in the 80s and 90s

In 1974 music critic Jon Landau went to a Bruce Springsteen live show and famously declared that he had seen the future of rock and roll. At that point Springsteen was two albums into his career and still in the process of building his audience. The next year Springsteen released Born to Run, which created so much of a sensation that the rocker appealed simultaneously on the covers of Time and Newsweek.

But it was not until the 1980s that Springsteen truly reached peak popularity. His 1984 album Born in the U.S.A dominated the charts with seven Top 10 singles and became Springsteen’s best-selling record. His concerts moved from arenas to stadiums. And for all the beloved music he wrote before and after Born in the U.S.A., that album is the source of three of Springsteen’s four most streamed songs on Spotify, including top hit “Dancing in the Dark”, which has nearly a billion streams.

This gallery of images captures Springsteen in those years after he had catapulted into the upper stratospheres of fame. Several of these images are among the most popular in LIFE’s print store, which is a tribute to how much his music continues to captivate audiences all these decades later. Besides the boss other notables who appear in the photos include Steven Van Zandt, who played guitar in Springstreen’s E Street Band and would later play Silvio Dante in The Sopranos; Patti Scialfa, who joined the E Street Band in 1984 and became Springsteen’s wife in 1991, and rock luminaries such as Mick Jagger and Billy Joel who shared the stage with Springsteen at various celebrity jams.

In 2025 fans can look forward to the movie Deliver Me From Nowhere, which stars Jeremy Allen White and will focus on the recording of Nebraska, a stripped-down solo acoustic album that Springsteen released in 1982. Some songs from those Nebraska sessions, recorded with the E Street Band, would become the core of Born in the U.S.A., turning up the noise on the music, and on Springsteen’s life as well.

Bruce Springsteen, 1984.

DMI

Bruce Springsteen, with saxophone player Clarence Clemons in the background, 1984.

DMI

Bruce Springsteen, 1984.

DMI

Bruce Springsteen, 1984.

DMI

Bruce Springsteen, 1985.

DMI

Bruce Springsteen, 1985.

DMI

Bruce Springsteen and Steven Van Zandt, 1989,

DMI

Bruce Springsteen, 1990.

DMI

Bruce Springsteen with Patti Scialfa, 1990.

DMI

Bruce Springsteen, with Steven Van Zandt and Patti Scialfa, 1990.

DMI

Bruce Springsteen, 1994.

DMI

Bruce Springsteen, circa 1990.

DMI

Bruce Springsteen and Mick Jagger, with Bob Dylan in the background), performed at the 1988 Rock & Roll Hall of Fame induction ceremonies.

DMI

Billly Joel, Jon Bon Jovi, Elton John, Sting and Bruce Springsteen performed during a rainforest benefit at Carnegie hall in New York City, 1994.

DMI

Bruce Springsteen, 1990.

DMI

Arnie and Jack: The Best of Rivals

Golf in the 1960s was defined by the rivalry between two of the game’s titans. On the one side was the wildly popular Arnold Palmer, who came up in the 1950s and was golf’s first superstar of the television age. Then there was Jack Nicklaus, who was ten years younger than Palmer, supremely skilled and aiming to topple The King from his throne.

At first Arnie’s Army, as Palmer’s fans were called, treated Nicklaus as the enemy. Golf is a notably polite sport, but Palmer’s fans cheered every Nicklaus misstep when the two golfers went head-to-head at the 1962 U.S. Open. The 22-year-old Nicklaus still defeated Palmer in an 18-hole playoff for his first victory as a professional.

But despite their on-course rivalry, Nicklaus and Palmer built a personal friendship that would last a lifetime. “Did Arnie and I agree on everything? No, we had some differences,” Nicklaus said in an interview long after their playing days were long over. “But I will promise that if I ever had a problem, Arnold Palmer has always been there for me and vice versa.”

The warmth between the two men comes through in a photo taken by LIFE’s Francis Miller back in 1963, in which Nicklaus and Palmer shared a laugh. That image of camaraderie is one of the most popular photos in LIFE’s online print store.

That photo was among the many MIller took at the 1963 edition of the World Series of Golf, a tournament that had been founded the year before and pitted the winners of golf’s four major championships against each other for 36 holes. Because Nicklaus had won two of the four majors that year—the others were taken by Julius Boros and Bob Charles—that left a slot open in the tournament’s foursome, which Palmer earned through a playoff.

Miller’s photos from that tournament, played in Akron, Ohio, capture golf at a relatively casual time. Players sat on their bags while waiting for the other to hit, something that doesn’t happen any more. When Nicklaus won the tournament, he was handed a normal-sized check, rather than the oversized versions that were designed for television and photo ops (though Miller’s shot of Nicklaus posing with his regular check is pretty funny).

Nicklaus’ win in the 1963 World Series of Golf confirmed his status as an ascendant star. Palmer would win the 1964 Masters and battle Nicklaus for the rest of the decade. But while Nicklaus gained the upped hand on the course, Palmer remained a deeply beloved figure. The graciousness with which he handled the rise of Nicklaus, so evident in Miller’s photo, gives a sense of Palmer’s abundant charms.

Arnold Palmer at the World Series of Golf in Akron, Ohio, 1963.

Francis Miller/Life Picture Collection/Shutterstock

Jack Nicklaus, following through on his swing, and Arnold Palmer (left) at the World Series of Golf in Akron, Ohio, 1963.

Francis Miller/Life Picture Collection/Shutterstock

Arnold Palmer watched while Jack Nicklaus putted at the 1963 World Series of Golf in Akron, Ohio.

Francis Miller/Life Picture Collection/Shutterstock

Jack Nicklaus (putting) and Arnold Palmer at the World Series of Golf in Akron, Ohio, 1963.

Francis Miller/Life Picture Collection/Shutterstock

Arnold Palmer and Jack Nicklaus at the World Series of Golf in Akron, Ohio, 1963.

Francis Miller/Life Picture Collection/Shutterstock

Jack Nicklaus and Arnold Palmer at the World Series of Golf in Akron, Ohio, 1963.

Francis Miller/Life Picture Collection/Shutterstock

Jack Nicklaus and Arnold Palmer at the World Series of Golf in Akron, Ohio, 1963.

Francis Miller/Life Picture Collection/Shutterstock

Jack Nicklaus and Arnold Palmer at the World Series of Golf in Akron, Ohio, 1963.

Francis Miller/Life Picture Collection/Shutterstock

Jack Nicklaus at the World Series of Golf in Akron, Ohio, 1963.

Francis Miller/Life Picture Collection/Shutterstock

Jack Nicklaus at the World Series of Golf in Akron, Ohio, 1963.

Francis Miller/Life Picture Collection/Shutterstock

Jack Nicklaus at the World Series of Golf in Akron, Ohio, 1963.

Francis Miller/Life Picture Collection/Shutterstock

Jack Nicklaus (putting) and Arnold Palmer at the World Series of Golf in Akron, Ohio, 1963.

Francis Miller/Life Picture Collection/Shutterstock

Arnold Palmer at the World Series of Golf in Akron, Ohio, 1963.

Francis Miller/Life Picture Collection/Shutterstock

Arnold Palmer at the World Series of Golf in Akron, Ohio, 1963.

Francis Miller/Life Picture Collection/Shutterstock

The scoreboard at the 36-hole World Series of Golf in 1963; Jack Nicklaus would end up winning by one stroke over Julius Boros.

Francis Miller/Life Picture Collection/Shutterstock

The scoreboard at the 36-hole World Series of Golf in 1963; Jack Nicklaus would end up winning by one stroke over Julius Boros.

Francis Miller/Life Picture Collection/Shutterstock

Jack Nicklaus took the $50,000 first prize at the 1963 World Series of Golf in Akron, Ohio.

Francis Miller/Life Picture Collection/Shutterstock

Glenn Gould: Eccentric Genius at Play

In 1956, just as the age of Elvis Presley was dawning, classical music offered the world its own young superstar—one whose music would make a mark in a different but also enduring way.

Pianist Glenn Gould made his debut recording at age 23 with one of the most important classical recordings of the 20th century: his take on J.S. Bach’s Goldberg Variations. The record elevated both Gould and what had previously been regarded as a relatively minor piece of the Bach canon.

LIFE took readers inside the world of this budding star with a story headlined “Music World’s Young Wonder.” The story described Gould equally talented and peculiar:

Gould has…a set of the most earnest eccentricities in the music business. Almost everything gives young Glenn trouble. His health, always precarious, keeps him tossing down pills. His voice gets out of control as he plays and its crooning ruins some of his recordings.

The story made much of Gould’s mannerisms: “High-strung ball players stepping into the batter’s box have less ritual to run through than Gould requires before sitting down at the piano.” His pre-performance routine included removing the two sets of gloves that he wore to keep his fingers warm and then soaking his hands in warm water. Next he took what LIFE described as “circulation pills” before removing his shoes and setting himself down on a special chair.

LIFE photographer Gordon Parks joined Gould in the studio to capture the scene as Gould recording music by Beethoven and Bach. Parks’ photo of Gould bent over the piano in his signature posture as he records Bach while sound engineers hover overhead is one of the most popular in the LIFE print store.

Another of Parks’ photos captures the mannerism for which Gould was most famous—that previously-mentioned tendency to hum or vocalize when he was at the keyboard. Look at the photo which shows Gould leaning back and laughing. He is amused because the producers just played back a recording and he is realizing that he inadvertently ruined a take with his vocal noises.

All these decades later, Gould’s music continues to fascinate. In 2017 Columbia Masterworks released as a set the two separate records Gould had made of the Goldberg Variations—his debut record in 1956 and a fresh take on the music in 1981, a year before Gould died. Pitchfork gave the 2017 release a rare perfect 10 rating.

Preparing to make recordings of Bach and Beethoven at a Columbia recording studio, pianist Glenn Gould (right) discussed his approach to one of the pieces with a producer, 1956.

Gordon Parks/Life Picture Collection/Shutterstock

Glenn Gould sampled pianos at a Steinway warehouse before choosing one for his recording session at a Columbia recording studio, 1956.

Gordon Parks/Life Picture Collection/Shuttertstock

Glenn Gould sang as he sampled pianos at a Steinway warehouse before choosing one for his session at Columbia Recording studios, 1956.

Gordon Parks/Life Picture Collection/Shutterstock

Glenn Gould carried his special folding chair which he insisted upon using when he played the piano, 1956.

Gordon Parks/Life Picture Collection/Shutterstock

Pianist Glenn Gould removed his outer gloves to reveal an underset of fingerless knitted ones which he wore even in the summer in order to keep his hands supple for performing, 1956.

Pianist Glenn Gould studied a Bach piano score while discussing with an engineer how he was going to record the sections in a Columbia recording studio, 1956.

Gordon Parks/Life Picture Collection/Shutterstock

Glenn Gould, before a recording session, soaked his hands in lukewarm water to limber up his fingers, gradually raising temperature to hot before performing, 1956.

Gordon Parks/Life Picture Collection/Shutterstock

Glenn Gould performed Bach in a recording studio while engineers and directors followed the score and looked on from glassed-in booth, 1956.

Gordon Parks/Life Picture Collection/Shutterstock

A shoeless Glenn Gould listened to playback of his Bach performance at a Columbia recording studio; he would decide that he needed to do this section over, 1956.

Gordon Parks/Life Picture Collection/Shutterstock

Glenn Gould listened intensely to playback of his performance of Bach at a Columbia recording studio, 1956.

Gordon Parks/Life Picture Collection/Shutterstock

Glenn Gould laughed as engineers let him hear how his singing spoiled his Bach recording. In response he offered to wear a gas mask to muffle the noises he made while performing, 1956.

Gordon Parks/Life Picture Collection/Shutterstock

Pianist Glenn Gould at age 23, during a recording session in 1956.

Pianist Glenn Gould (right) ate a lunch consisting of graham crackers and milk cut to half strength with bottled sprig water while sitting at sound engineers table at Columbia recording studio, 1956.

The Greatest Motorcycle Photo Ever

Not only did Rollie Free set the world speed record for a motorcycle back in 1948—he looked darn good doing it.

The key to setting the record for Free was cutting down on wind resistance. So when the 47-year-old accelerated his Vincent HRD Black Shadow, he positioned his body to be as horizontal as it could. Also, he wore only swim trunks as he whipped across the hard pack of the Bonneville Salt Flats. His plan worked to perfection, setting a record of 150.313 miles per hour.

The AMA Motorcycle Hall of Fame calls the picture of Free’s record-setting ride “one of the most famous photos in the history of the sport.” LIFE staff photographer Peter Stackpole’s image of Free is also one of the most popular prints in the LIFE photo store.

In LIFE’s coverage of the event the magazine actually used a different photo, taken from a wider angle. That shot is majestic in its own right, giving more emphasis to the Utah landscape and also the black line that had been painted on the ground for Free to use as a guide.

All the shots in this gallery have their charm. The ones of Free’s friends giving him a push as he started out are pretty classic. The details in Stackpole’s photos are evocative of their era, from Free’s everyman physique to the media coverage of the speed record being dominated by still photography.

Free’s record has long since been broken. The current mark of 376.363 miles per hour was set in 2010 by Rocky Robinson—once again in Bonneville. While in 1948 Free rode a conventional-looking motorcycle, Robinson set his mark in a vehicle that looks more like a two-wheeled car, down to its encased cockpit. This meant that Robinson had no need to strip down to a bathing suit and position his body at an exotic angle, or do anything else that would result in a photo for the ages.

Rollie Free getting ready to break the motorcycle speed record on the Bonneville Salt Flats in Utah, 1948.

Peter Stackpole/Life Picture Collection/Shutterstock

Rollie Free getting ready to break the motorcycle world’s speed record on the Bonneville Salt Flats in Utah, 1948.

Peter Stackpole/Life Picture Collection/Shutterstock

Rollie Free getting ready to break the motorcycle world’s speed record on the Bonneville Salt Flats in Utah, 1948.

Peter Stackpole/Life Picture Collection/Shutterstock

Rollie Free accelerated as he readied to break the motorcycle world’s speed record on the Bonneville Salt Flats in Utah, 1948.

Peter Stackpole/Life Picture Collection/Shutterstock

Photographers captured Rollie Free breaking the motorcycle world’s speed record on the Bonneville Salt Flats in Utah, 1948.

Peter Stackpole/Life Picture Collection/Shutterstock

Rollie Free, laying horizontally on his bike to reduce wind resistance, broke the world’s speed record for a motorcycle at the Bonneville Salt Flats in Utah, September 13, 1948.

eter Stackpole/Life Picture Collection/Shutterstock

Rollie Free breaking the motorcycle world’s speed record on the Bonneville Salt Flats in Utah, 1948.

Peter StackpoleLife Picture Collection/Shutterstock

Rollie Free on the day he broke the motorcycle world’s speed record on the Bonneville Salt Flats in Utah, 1948.

Peter Stackpole/Life Picture Collection/Shutterstock

Dearly Beloved: LIFE’s Best Prince Photos

“Dearly beloved, we are gathered here today to get through this thing called life.”

Prince invoked those words at the beginning of his song Let’s Go Crazy, which opened Purple Rain (both the movie and the album). Even though Prince had been making records for years before 1984’s Purple Rain, that release established him as both a major music star and also a singular one.

In his prolific career Prince released 39 studio albums and five live albums, and while the recorded music has brought joy to millions, his greatest work of art may have been his persona. He was a musician who carried himself like some sort of high priest. He managed to look like he was about to do something amazing even before he had done anything.

So it’s no surprise that still images of the music-maker have a special power. Prince is the subject of many photos in the LIFE picture collection, and two of those images–one from the Purple Rain tour and another of him playing the guitar in 1985—are among the best-sellers in the LIFE Print Store.

Most of the photos in this collection are of Prince working his magic on stage. But the photo at the end of this gallery shows Prince, face covered with a jacket, attempting to get away from photographers. Despite being a master of public image, he was not always ready for his closeup.

Prince in concert, 1985.

DMI

Prince At The Wiltern Theatre in Los Angeles, 1986.

American musician Prince (1958 – 2016) performs on stage during a pre-tour concert at the Wiltern Theatre, Los Angeles, California, May 30, 1986

Prince, circa 1988.

DMI

Prince On Stage

American musician Prince (1958 – 2016) plays guitar onstage during his ‘Purple Rain’ tour, Long Beach, California, March 10, 1985.

Prince, circa 1995.

DMI

Prince, circa 1995.

DMI

Prince, circa 1991.

DMI

Prince, circa 1988.

DMI

Prince

American singer, songwriter and musician Prince, circa 1985.

Prince performed at the Forum in Inglewood, California, February 17, 1985.

DMI

Prince, with Wendy Melvoin in the background, performed in Los Angeles, March 1985.

DMI

Prince in concert, circa 1995.

DMI

Prince at a Hollywood event, January 12, 1986.

DMI

Prince, 1996.

DMI

Prince performned, circa 1985.

DMI

Prince on stage, 1988.

DMI

Prince doing his best to frustrate the paparazzi, circa 1985.

DMI

Keeping a Historic Secret

The Aug. 20, 1945 issue of LIFE was filled with momentous news. It reported on the U.S. dropping the first atomic bombs, on the Japanese cities of Hiroshima and Nagasaki. The bombings killed between 150,000 and 246,000 people, wrought unprecedented devastation and hastened the end of the World War II.

Along with coverage of the bombing, that issue of LIFE had a related story about the government’s massive facility in Oak Ridge, Tennessee. For years the doings at that facility had been a closely guarded secret, but now the truth could be told. LIFE’s story on Oak Ridge was headlined “Mystery Town Cradled Bomb.”

The goverment’s facility at Oak Ridge employed tens of thousands of people during the war. LIFE reported that Oak Ridge had dormitories for 13,000 people and barracks for 16,000, as well as 10,000 homes and apartments. There were also ten schools. That was all for a workforce that was largely unaware that Oak Ridge, along with locations in Los Alamos, N.M. and Hanford, Wash., was the home of the Manhattan Project.

Here’s how LIFE described the air of secrecy that permeated Oak Ridge:

Construction workers by the thousands came, labored and, sworn to secrecy, departed silently. Names famous the world over arrived anonymously, advised and departed like shadows. Guardedly—for over their heads always hung the threat of 10 years in prison or a $10,000 fine—Oak Ridge’s laboratory men, clerks, stenographers and scientists probed each other’s information without result. Supremely careful planning had compartmentalized work and therefore knowledge.

Photos by LIFE staff photographer Edward Clark helped pull back the veil. One distinctive trait of Oak Ridge was its sheer size—the facility was big enough to sustain its own economy, including shops and movie theater. The makeshift business district resembled an updated version of what one saw in the mining towns of the old West.

Then there was the signage around Oak Ridge, which hammered home the importance of secrecy.

One of Clark’s photos in particular captured the tight-lipped atmosphere. The photo shows a man reading a sign which says “What you see here/What you do here/What you hear here/Let it stay here.” Clark’s image is one of the most popular in the LIFE photo store. One imagines people are buying a reproduction of it to hang in their office—or, better yet, their rec room, where the photo might take on the spirit of “What happens in Vegas stays in Vegas.”

Of course the original purpose for this sign could not have been more serious. The secret of Oak Ridge was one that reshaped the world.

The Oak Ridge facility in Tennessee, where the atomic bomb was developed, 1945.

Ed Clark/Life Picture Collection/Shutterstock

Security checked a visitor’s car at the government’s Oak Ridge facility entrance, 1945.

Ed Clark/Life Picture Collection/Shutterstock

This sign at the government’s Oak Ridge facility, where the atomic bomb was developed, warned employees not to talk about their work, 1945.

Ed Clark/Life Picture Collection/Shutterstock

A roadside sign on roadside near the Oak Ridge facility in Tennessee, where the atomic bomb was developed, 1945.

Ed Clark/Life Picture Collection/Shutterstock

Workers leaving the Oak Ridge facility in Tennessee, where the atomic bomb was developed, 1945.

Ed Clark/Life Picture Collection/Shutterstock

Shops at the Oak Ridge facility in Tennessee, where the atomic bomb was developed, 1945.

Ed Clark/Life Picture Collection/Shutterstock

Shops at the Oak Ridge facility in Tennessee, where the atomic bomb was developed, 1945.

Ed Clark/Life Picture Collection/Shutterstock

A movie theater at the government’s massive Oak Ridge facility, where the atomic bomb was developed, 1945.

Ed Clark/Life Picture Collection/Shutterstock

The Oak Ridge facility in Tennessee, where the atomic bomb was developed, 1945.

Ed Clark/Life Picture Collection/Shutterstock

The Oak Ridge facility in Tennessee, where the atomic bomb was developed, 1945.

Ed Clark/Life Picture Collection/Shutterstock

The Oak Ridge facility in Tennessee, where the atomic bomb was developed, 1945.

Ed Clark/Life Picture Collection/Shutterstock

A sign at the Oak Ridge facility in Tennessee, where the atomic bomb was developed, 1945.

Ed Clark/Life Picture Collection/Shutterstock

More Like This

Teenagers at a party in 1947 in Tulsa, Oklahoma; LIFE reported that they "munch doughnuts and sip cokes whenever they are not dancing with serious faces to sentimental music." history

Proper Teenagers in a Post-War World

history

Pushing the Right Buttons: Inside Charm School for Elevator Girls

history

A “Rough Country Boy” Fights the College Freshman Blues

history

Building the Future: Inside General Electric, 1937

history

Pope Leo XIV: Celebrating The First American Pope

history

What Fun Looked Like in Brussels, 1945.