Pope Leo XIV: Celebrating The First American Pope

The following is from LIFE’s new special issue on Pope Leo XIV, available at newsstands and online:

JESUS AND the early Christian evangelists did not necessarily have something called a papacy in mind 2,000 years ago, but they did imagine a church that would persevere through time. So, yes, when Christ handed the keys of leadership to Peter, he likely hoped that Peter would find a successor, and that many more good leaders would follow. But it would have been difficult to have imagined that the papal legacy would one day extend to 267 individuals, and that the Church would remain so potent in the 21st century, and that there is no end in sight. That is the power of Jesus’s attraction and God’s promise.

The excitement that has greeted the coronation of Pope Leo XIV, the former Robert Francis Prevost, 69, the first American pope, has been wondrous to behold, but it has tended to obscure some of the Church’s long history. Much of the news has implied that the main challenges Pope Leo will face are confined to Catholicism itself: sliding church attendance, Vatican finances, divisions between liberals and traditionalists, doctrinal debates over ordaining women as clergy, and LGBTQ Catholic inclusion. Such a narrow focus ignores the long, dramatic role the Church has played on the global stage from Peter’s day to our own. In an era where traditional diplomacy has struggled to resolve complex issues, the Holy See has retained the moral authority to transcend the political fray, as illustrated by the recent meeting inside St. Peter’s Basilica between presidents Donald Trump and Volodymyr Zelensky. The pope’s voice carries weight in a world wracked by numerous conflicts, from Ukraine and Gaza to Sudan. Indeed, in his first Sunday address, Leo called for an end to war everywhere. 

From 756 to 1870, popes ruled a large part of central Italy—the so-called Papal States—and their politics and alliances shaped the world order for centuries. But even after the Papal territories were annexed by Italy and popes lost their secular powers, they continued to play an outsize role on the global stage. In 1962, at the height of the Cuban Missile Crisis, Pope John XXIII sent messages to both Soviet premier Nikita Khrushchev and President John F. Kennedy, urging the leaders to resolve the standoff peacefully. In 1979, when Poland was still under Russian influence, Pope John Paul II made a nine-day visit to his home country, helping to spark the Solidarity union movement and the end of communist rule in Poland. Pope Francis continued this tradition, calling for a ceasefire in Gaza, working for the support for the rights of migrants, and, with his encyclical Laudato Si’, framing environmental stewardship as a moral imperative.

As the 267th pontiff, Leo will not only lead the world’s 1.4 billion Catholics, but he will have the opportunity to tap his long experience as a missionary and help steer history. Because of the Church’s power, he will be able to reach across borders, cultures, and faiths to redefine contemporary issues such as artificial intelligence, nuclear disarmament, and mass migration. His influence will be unique, and his first words to the faithful when he spoke from the balcony overlooking St. Peter’s Square, were reassuring: “May peace be with you.” The world is watching to see where Leo takes the See of Rome and the millions who look to it for guidance and, ultimately, salvation. ●

Here are a selection of photos from LIFE’s new special issue to Pope Leo XIV.

Cover image: Maria Laura Antonelli/AGF/SIPA/Sipa USA

Pope Leo XIV on the balcony overlooking St. Peter’s Square, May 11, 2025.

Getty Images

Iin Dolton, Illinois stands the childhood home of Robert Francis Prevost, who would become the first American pope.

AFP via Getty Images

Pope Leo XIV went as a young man on a mission to Peru and spent 20 total years in the Andean country, rising to the position of Bishop of Chiclayo. Here he rode on horseback to visit an area devastated by floods.

Chiclayo Diosece/AFP via Getty Images

The future Pope Leo XIV was close with Pope Francis, meeting with him in 2023.

Vatican Media/ Getty Images

Cardinal Robert Francis Prevost, the future Pope Leo XIV, swung a censer in front of an icon of the Virgnin Mary of Guadalupe during a mass for the Feast of Our Lady of Guadalupe at St Peter’s basilica on December 12, 2023 in The Vatican.

AFP via Getty Images

One hundred thirty-three cardinals participated in the 2025 conclave that resulted in the selection of Pope Leo XIV.

AFP via Getty Images

People gathered in St. Peter’s Square to cheer on Pope Leo XIV, the first American pope, on May 11, 2025.

AFP via Getty Images

Pope Leo XIV told the crowd in St. Peters Square on May 8, 2025, the day he was named pope, “United and hand-in-hand with God, let us advance together”

ANDREA SOLERO/EPA-EFE/Shutterstock

LIFE’s Vintage Lacrosse Images

In the 21st century no sport has grown faster than lacrosse. While the game began in this country—it was invented by Native Americans long before the arrival of Europeans—for much of the 20th century lacrosse remained regional and niche, with little participation outside traditional hotbeds in the Northeastern United States.

During LIFE’s original run from 1936 to 1972, the sport was rarely covered in the magazine. But in its April 18, 1969 issue LIFE ran a multi-page story about lacrosse headlined “The Little Brother of War,” a phrase drawn from a Cherokee description of the game. The story discussed both lacrosse’s Native American roots and also ihow it was becoming the hot sport in American schools. “At some prep and high schools lacrosse has become so popular that athletic directors refuse to grant it varsity status out of fear that their top baseball, track and tennis will defect to it,” LIFE wrote.

The rich color photos for the story were shot by Arthur Rickerby, who frequently took on sports assignments for LIFE—check out, for instance, his remarkable images of Willie Mays’ return to the Polo Grounds. For this story Rickerby showcased lacrosse in both high school and college. In some games players battled the elements—be it the snow in Vermont or the mud in Maryland.

As evidence of the sport’s popularity, LIFE’s story noted that 112 colleges were fielding lacrosse teams, which in 1969 represented a doubling of the total from ten years prior. Of course since that LIFE story ran, the ranks have multiplied nearly fourfold. Today 431 U.S. colleges field lacrosse teams, and those programs are spread across the country. When Denver won the men’s NCAA title in 2015, it was a milestone moment in the sport’s geographic expansion, as the Pioneers were the first lacrosse champion from outside the Eastern time zone.

In addition to Rickerby’s photos from 1969, this gallery also features images from the rare occasions when LIFE sent photographers to lacrosse games in the early years of the magazine. Those older photos feature teams from such institutions as Johns Hopkins, Army and Navy, which are some of the country’s foundational lacrosse programs.

Army and Navy teams met on the lacrosse field, West Point, New York, 1969.

Art Rickerby/Life Picture Collection/Shutterstock

Army and Navy teams clashed during a lacrosse game at West Point, New York, 1969.

Art Rickerby/Life Picture Collection/Shutterstock

Army and Mavy teams met in lacrosse at West Point in New York, United States, 1969.

Art Rickerby/Life Picture Collection/Shutterstock

Top female lacrosse players gathered for an exhibition game in Hempstead, New York, 1969.

Art Rickerby/Life Picture Collection/Shutterstock

Top female lacrosse players gathered for an exhibition game in Hempstead, New York, 1969.

Art Rickerby/Life Picture Collection/Shutterstock

Lacrosse players got muddy during a practice at the McDonogh School in Baltimore, 1969.

Art Rickerby/Life Picture Collection/Shutterstock

Snow fell as lacrosse players practiced in Craftsbury, Vermont, 1969.

Art Rickerby/Life Picture Collection/Shutterstock

Snowfall didn’t stop lacrosse practice at Sterling College, Craftsbury, Vermont, 1969.

Art Rickerby/Life Picture Collection/Shutterstock

Lacrosse players practiced in the elements in Vermont, 1969.

Art Rickerby/Life Picture Collection/Shutterstock

Johns Hopkins took on Virginia in lacrosse, 1952.

Mark Kauffman/Life Picture Collection/Shutterstock

Johns Hopkins took on Virginia in lacrosse, 1952.

Mark Kauffman/Life Picture Collection/Shutterstock

Johns Hopkins lacrosse team members celebrated after a game-tying score against Virginia in final quarter, 1952.

Mark Kauffman/Life Picture Collection/Shutterstock

The 7th Regiment Armory in New York hosted an indoor lacrosse game, 1949.

Gjon Mili/Life Picture Collection/Shutterstock

The 7th Regiment Armory in New York hosted an indoor lacrosse game, 1949.

Gjon Mili?Life Picture Collection/Shutterstock

Army and Navy teams clashed in a lacrosse game at Annapolis, Maryland, 1945.

George Skadding/Life Picture Collection/Shutterstock

Navy hosted Army in a lacrosse game in Annapolis, Maryland, 1945.

George Skadding/Life Picture Collection/Shutterstock

Navy hosted Army in a lacrosse game in Annapolis, Maryland, 1945.

George Skadding/Life Picture Collection/Shutterstock

Navy hosted Army in a lacrosse game in Annapolis, Maryland, 1945.

George Skadding/Life Picture Collection/Shutterstock

Navy hosted Army in a lacrosse game in Annapolis, Maryland, 1945.

Army and Navy met in a lacrosse game in Annapolis, Maryland, 1945.

George Skadding/Life Picture Collection/Shutterstock

Eisenstaedt’s Ode to America, “The Only Fabulous Country.”

As Independence Day approached in 1952, LIFE magazine commemorated America’s birthday with a story that celebrated the country in images and words—and not just any words. Actor Charles Laughton selected literary passages that related to the American landscape. Then LIFE staff photographer Alfred Eisenstaedt shot images to pair with those passages.

LIFE turned to Laughton because the actor was known for entertaining audiences by reading aloud to them from classic literature. That kind of show would have a tough time finding an audience today, but back then it was a popular genre: here Laughton is reading from the Bible on The Ed Sullivan Show for about eight minutes uninterrupted.

In its story LIFE encouraged its subscribers to read aloud the passages that Laughton chose. Three of those passages were by Thomas Wolfe — two from Of Time and the River and one from You Can’t Go Home Again. “I make no apologies for this,” Laughton told LIFE. “For me Wolfe is the great writer, the man who greatly described America as `the only fabulous country.'”

Laughton also chose passages from the works of Washington Irving (Rip Van Winkle), Mark Twain (Life on the Mississippi), Henry Wadsworth Longfellow (The Song of Hiawatha) and Stephen Vincent Benet (John Brown’s Body).

To illustrate those passages Eisenstaedt took photos in a variety of settings, capturing the bustle of New York City, the somber history of Gettysburg National Military Park, the majesty of a riverboat cruising the Mississippi, and the pastoral beauty of Minnehaha Park in Minnesota. The photos obviously do not capture all of America—to do so would be a lifetime project—but they bring enough variety and history to hint at a country that, to borrow a phrase from another writer, Walt Whitman, “contains multitudes.”

If you had to pick a few places to capture the spirit of “the only fabulous country,” which ones would you choose? Just thinking about the possibilities is a reminder of the awesome variety of the American landscape.

Actor Charles Laughton, who would read aloud from books to paying audiences, offered literary selections to LIFE for a 1952 story celebrating America in words and images.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

The Hudson River as it flowed through the landscape written about by Washington Irving, 1952.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Pedestrians walked along 42nd Street in Times Square in New York City, 1952.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

People shopped in the market on the corner of 9th Avenue and 40th Street in New York City, 1952.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

People riding a train, United States, 1952.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

A monument at the Gettysburg National Military Park commemorated the Civil War battle that took place in 1863.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

A monument at the Gettysburg National Military Park commemorated the Civil War battle that took place in 1863.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Monuments at the Gettysburg National Military Park commemorated the Civil War battle that took place in 1863.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

A cemetery in the yard of a country church, 1952.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

An auto junk yard, 1952.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

A freight train, 1952.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

A riverboat on the Mississippi, 1952.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

A barge sailed the Mississippi River, circa 1952.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Two men piloted from the bridge of a riverboat on the Mississippi River, 1952.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Minnehaha Park in Minnesota, 1952.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Minnehaha Park in Minnesota, 1952.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

Minnehaha Park in Minnesota, 1952.

Alfred Eisenstaedt/Life Picture Collection/Shutterstock

What Fun Looked Like in Brussels, 1945.

The magic of photography is that it takes people to places they could never go on their own—whether it’s the front lines of battle or the home of Marilyn Monroe. The power of the photograph to transport its viewers is what made LIFE magazine so popular in its early heyday, when photography was the principal means for gaining a window to the world.

Sometimes LIFE’s photographers took its readers to a places they would never have thought to go—for example, a nightclub in Brussels during the waning days of World War II, and months after German occupation of Belgium had ended. Here’s how the magazine set the scene in a story that ran in its issue of March 26, 1945:

By New York and Paris standards, most nightclubs in Brussels are drab and dingy. There is little glamor and no fancy decor. After 10 o’clock the only light is from oil lamps, and by midnight, when civilians must be home, the nightspots are empty. Still, they do a good business because liberated Belgians are in a mood to celebrate and so are the weary soldiers—British, Canadians and Poles—who go there on leave. There are champagne, friendly girls and musicians trying to earnestly play American swing.

The description of the club makes it sound like it could be the setting for a seedy film noir, or possibly even a romantic comedy. And on the particular night that LIFE photographer George Silk visited a cellar bistro called La Parisiana, which was said to have the best floor show in Brussels, the entertainment included snakes. A pair of “old-time circus performers” named Hamid and Aicha danced for customers with pythons draped around them.

During World War II Belgium was occupied by Germany from May 1940 until late 1944 and early 1945, when the Allied Forces liberated Belgium in stage. At the time of this snake show, the country had just been through years of hell. In short, the clientele of La Parisiana was truly in need of some entertainment.

A dancer named Aicha, with two pythons wrapped around her, entertained patrons at the La Parisiana nightclub in Brussels, 1945.

George Silk/Life Picture Collection/Shutterstock

Former circus performers Hamid and Aicha, pythons draped around them, entertained patrons at the La Parisiana nightclub in Brussels, 1945.

George Silk/Life Picture Collection/Shutterstock

A dancer named Aicha, with two pythons wrapped around her, entertained patrons at the La Parisianna nightclub in Brussels, 1945.

George Silk/Life Picture Collection/Shutterstock

The floor show at the La Parisiana nightclub in Brussels, 1945.

George Silk/Life Picture Collection/Shutterstock

The floor show at the La Parisiana nightclub in Brussels, 1945, months after Belgium had been liberated from German occupation.

George Silk/Life Picture Collection/Shutterstock

Patrons at the La Parisiana nightclub in Brussels, 1945.

George Silk/Life Picture Collection/Shutterstock

An American flier enjoyed a night at the Brussels nightclub La Parisiana, 1945.

George Silk/Life Picture Collection/Shutterstock

Hamid held a python aloft while Aicha, in the background, sat before crosses as part of the floor show at the Brussels nightclub La Parisiana, 1945.

George Silk/Life Picture Collection/Shutterstock

A dancer named Aicha, with two pythons wrapped around her, entertained patrons at the La Parisianna, Brussels, 1945.

George Silk/Life Picture Collection/Shutterstock

The Uplifting Magic of “The Karate Kid”

The following is excerpted from LIFE’s new special issue on The Karate Kid, available at newsstands and online:

The title was ridiculous. So ridiculous nobody thought it would stick. It was a name fit for a silly Saturday morning cartoon, a sappy after-school special, a flop. It certainly wasn’t a title for a movie that could launch an enduring Hollywood franchise. 

No, “The Karate Kid” had to go. 

“I mean, can you imagine?” Ralph Macchio wrote in his 2022 memoir, Waxing On: The Karate Kid and Me. “If I ever did get this part and the movie hit, I would have to carry this label for the rest of my life!”

Macchio got the part. And once he landed the lead, he fought to get the title changed. He wasn’t alone. Next to nobody liked it. But producer Jerry Weintraub wouldn’t budge. He knew it was memorable: “It’s a terrible title, but because of that, it’s a great title.” It wasn’t the only thing memorable about 1984’s The Karate Kid.

“Wax on, wax off.” “Sweep the leg.” “Ali . . . with an i.” “Get him a body bag!” Forty-one years on, we’re still quoting classic lines from the original film. Four decades in, the Netflix series Cobra Kai has introduced multiple new generations to Daniel LaRusso, Johnny Lawrence, John Kreese, and the wisdom of Mr. Miyagi. And now 2025’s Karate Kid: Legends pairs Macchio with martial arts icon Jackie Chan. 

In the early 1980s, karate wasn’t cool. Aliens were cool: E.T. The Extra-Terrestrial broke box office records in 1982, and the original Star Wars trilogy wrapped to wild fanfare in 1983. Hunky boxers, barbarians, and (oddly enough) archaeologists were cool, as flicks from Sylvester Stallone, Arnold Schwarzenegger, and Harrison Ford filled the multiplexes. 

Blockbuster teen movies weren’t even a thing yet. Before 1984, nobody knew who Molly Ringwald, John Hughes, or the Brat Pack were. Karate and high school drama wasn’t exactly a winning combination for a film. This meant expectations for The Karate Kid were low. 

The $8 million budget came in at less than a quarter of what it cost to make Return of the Jedi. The leads were B-list at best—Macchio’s most notable credit was a spot as a recurring character on a single season of ABC sitcom Eight Is Enough; Mr. Miyagi actor Noriyuki “Pat” Morita was best known as restaurant owner Matsuo “Arnold” Takahashi in two dozen Happy Days episodes. Despite the modest budget and lack of star power, The Karate Kid was a smash. 

“After the first Karate Kid screened and everybody was doing the crane kick in the parking lot, [producer Jerry Weintraub] put his arm around me and said, ‘You’re going to be making a few of these,’ ” Macchio remembered. 

Macchio has now made four films—the original ’80s trilogy plus this year’s Karate Kid: Legends—set in the Miyagi-verse, which is what he calls the Karate Kid cinematic universe. Morita also tallied a quartet of movies in the series (he followed the trilogy with 1994’s The Next Karate Kid, starring an unknown Hilary Swank in her breakout role). And the universe has continued to expand, even when Macchio and Morita sat out projects. 

A Saturday-morning cartoon was made in 1989 with Morita doing narration. Car washes popped up that incorporated “Wax On, Wax Off” in their names. 

A reimagining of the first film with the same title starring Jaden Smith and Jackie Chan racked up $359 million worldwide in 2010. Then in 2018, the Netflix streaming hit Cobra Kai reunited Macchio with original nemesis Johnny Lawrence, played by William Zabka, adding their characters’ kids to the martial arts rumbles across six seasons. The world couldn’t get enough of the Miyagi-verse.

Why was the movie such a success when it debuted? Why does the saga’s popularity endure through generations? And who exactly must shine their Honda at Wax On, Wax Off? The latter question might be impossible to answer. But the first two aren’t so confounding when you look at what the Karate Kid myth delivers. 

Everybody loves an underdog, and Daniel LaRusso is the ultimate underdog. 

Also, it turned out The Karate Kid did have a few things in common with past blockbusters. Daniel and Miyagi’s relationship echoed that of Rocky Balboa and trainer Mickey Goldmill. It recalled the lovable battle of wills between Luke Skywalker and Miyagi-like Jedi Master Yoda. 

The lessons of the first film, lessons about kindness, acceptance, and mercy, reverberate across the Miyagi-verse. In The Karate Kid Part II, Miyagi says, with a little bit of cheek, “Rules to karate. Rule number one: Karate for defense only. Rule number two: First learn rule number one.” After the fictional death of Miyagi—Morita passed away in 2005—Daniel carried his mentor’s wisdom forward in Cobra Kai, telling his pupil: “You may know the moves, but none of that matter unless you have balance . . . I mean balance in your life.” 

Even Johnny Lawrence, the ’80s quintessential high school bully, looks for some balance in Cobra Kai. One thing that makes the Netflix series so compelling is the reinvention of Johnny from bad boy to, well, a little bit less of a bad boy. The kid who was raised to “strike first, strike hard, no mercy” grows up to understand Miyagi’s teachings and becomes another lovable underdog you can’t help rooting for. 

This shared Miyagi-verse not only unites all of these projects but provides a consistent human-first worldview that we should all strive for, making the films as entertaining as they are memorable. Well, as memorable as a franchise with the title “The Karate Kid” can be.

Here are a selection of photos from LIFE’s new special issue on The Karate Kid:

Front Cover ©Columbia Pictures/Courtesy Everett Collection; (background) Columbia Pictures/Album/Alamy

Daniel LaRusso (Ralph Macchio) works on his crane kick in the 1984 film “The Karate Kid.”

Alamy Stock Photo

Daniel sets up for the crane kick against Johnny Lawrence (William Zabka) in the climactic fight of “The Karate Kid” (1984).

@Columbia Pictures/Photofest

Daniel (Ralph Macchio) and Kumiko in the 1986 film “The Karate Kid Part II.”

©Columbia Pictures/Courtesy Everett Collection

Daniel and Mr. Miyagi (Pat Morita) celebrate in “The Karate Kid Part III “(1989).

©Columbia Pictures/courtesy Everett Co / Everett Collection

Mr. Miyagi takes on new pupil Julie (Hilary Swank) in “The Next Karate Kid” (1994).

©Columbia Pictures/Courtesy Everett Collection

Jaden Smith took center stage in the 2010 franchise reboot film “The Karate Kid.”

©Columbia Pictures/Courtesy Everett Collection

Ralph Macchio and William Zabka reprised their roles from The Karate Kid in the Netflix series Cobra Kai.

Curtis Bonds Baker/Netflix

Ralph Macchio directed William Zabka on the set of the Netflix series “Cobra Kai.”

CURTIS BONDS BAKER/NETFLIX

(Left to right) Ralph Macchio, Ben Wang and Jackie Chan in the 2025 film “Karate Kid: Legends.”.

Jonathan Wenk/Columbia Pictures

There’s Cool, and Then There’s Keith

In his wonderful 2010 autobiography Life—hey, nice title—Keith Richards wrote that “We age not by holding on to youth, but by letting ourselves grow and embracing whatever youthful parts remain.”

His philosophy seems to be working, because Keith Richards has moved through the decades with a spirit that remains remarkably untouched by time. He is first and foremost known as a member of The Rolling Stones and for his guitar work on classics such as Sympathy for the Devil. But the unapologetic and unrepentant way he has lived his life has come to be appreciated as its own work of art. It’s why the most popular photo of Richards in the LIFE print store shows him holding not a guitar but a bottle of whiskey.

This collection of performance and paparazzi shots from the 1980s and 1990s captures Richards showing his mastery on stage, and also living the life of a beloved rock star. Included are photos of the breathtaking all-star jam at the 1992 Rock & Roll Hall of Fame induction ceremony, in which he shreds on classics such as All Along the Watchtower and Green Onions with the likes of Neil Young, Johnny Cash, Jimmy Page, Little Richard and The Edge, among others.

While offstage, Richards posed for photos with, among others, action star Tom Cruise, fellow rock legend Bruce Springsteen, and President of the United States Donald Trump. When you are as cool as Keith Richards is, everyone wants to be in the frame with you.

Keith Richards took center stage during the Rolling Stones’ ‘Voodoo Lounge’ tour, 1994.

DMI

Rolling Stone band members Mick Jagger (left) and Keith Richards shared a laugh.

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Keith Richards and his father, 1983.

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Keith Richards outside New York’s Danceteria night club, 1980.

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Keith Richards.

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Keith Richards in concert.

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The Rolling Stones, with Bill Wyman, Mick Jagger and Charlie Watts, basked in the cheers.

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Bruce Springsteen and Keith Richards.

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Keith Richards

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Keith Richards

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Actor Tom Cruise (right) chatted with Keith Richards (right) and Ron Wood backstage before a Rolling Stones concert in Las Vegas.

DMI

Keith Richards (right) with (left to right) The Edge, Carlos Santana and John Fogerty at the 1992 Rock & Roll Hall of Fame induction ceremony.

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Keith Richards, with (left to right) Neil Young, The Edge and Jimmy Page at the 1992 Rock & Roll Hall of Fame induction ceremony.

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Keith Richards with Johnny Cash, John Fogerty, Little Richard and others at the 1992 Rock & Roll Hall of Fame induction ceremony.

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Actress Elizabeth Hurley with rock musician Keith Richards and his wife, Patti Hansen, at the premiere of the 1999 film Mickey Blue Eyes, which Ms. Hurley co-produced.

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Keith Richards and wife Patti Hansen with Donald and Melania Trump.

DMI

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